Oct 272024
 

(written by Islander)

Moving on from yesterday’s Part I of the usual weekend roundup, I’m starting with the next letter of the band-name alphabet and continuing through W (no X, Y, or Z bands in this collection).

I mentioned yesterday that I had a few complete releases in this collection, in addition to all the singles, but I realized that one I thought had come out on Friday isn’t actually out yet, so I’ll push that one to a subsequent weekend.

But the first band today does have a complete release to their name, and it’s an interesting one. Continue reading »

Jan 292022
 

 

I spent the first part of this morning pulling together the second-to-last installment of our Most Infectious Song list, which hasn’t left a lot of time for me to make my way through the typically giant list of songs and videos which surfaced over the last week that I thought might be worth recommending. I jumped around that list like a hummingbird (if hummingbirds moved at the pace of sloths). Here’s what I came up with:

MESHUGGAH (Sweden)

Even a blind hummingbird would know to stop and taste the nectar of a new Meshuggah song, and I’m not blind. Nor are the 150,000 people who’ve listened to the song’s YouTube stream in the last two days. But what to make of “The Abysmal Eye“? Continue reading »

Jan 252022
 


Skepticism

 

In looking back at the songs I’ve included in this list so far (you can see all of them here), it occurred to me that I hadn’t paid much attention to doom. That realization influenced me in the choices I made for today’s installment, which gives glimpses of the genre’s night-blooming diversity, because part of my aim in doing this list is to provide snapshots of what the last year brought us in metal, across a swath of genres.

But of course the songs must be infectious to qualify, and these are, even if the contagion they bring us is heartbreak.

SKEPTICISM (Finland)

Skepticism is the first funeral doom band whose music I ever heard, long ago. It was a gripping discovery. Skepticism always draws my attention for that reason, but also because of the band’s remarkable consistency over a career that spans three decades. Their latest work, 2021’s Companion, was as powerful and immersive as I’ve always come to expect. As is often the case with stand-out albums, it was home to more than one song I wanted to put on this list, but alas, my self-imposed rule compelled me to pick only one. Continue reading »

Aug 272021
 

 

As I hoped, I had time to compile a second round-up on this Friday… and I have ideas for a third one tomorrow, so do check back. There’s no sandwich this time, unlike the first compilation today, just a severe case of whiplash as you go from the first song into what comes next.

DAWN OF SOLACE (Finland)

It appears that the revival of Dawn of Solace by Tuomas Saukkonen will be a lasting one, because a new album named Flames of Perdition is now set for release on November 12th via the Noble Demon label, and the first item I chose for this collection is a video for its first advance track, “White Noise“.

The emotional power and intensity of the song absolutely floored me. The intensity builds steadily, from its soft and wistful beginning through grim, heavy chords, neck-cracking drums, darting riffs, and the soaring, spine-tingling voice of Mikko Heikkilä (of Kaunis Kuolematon). It reaches a zenith of dark and moving impact via a stunningly beautiful and deeply moving guitar solo by Jukka Salovaara. Continue reading »

Jun 072020
 

 

I’m not as prone as some writers around here to make exceptions to our rule about singing (I’m looking at you Mr. Synn), but I fell prone before all the singing voices in this selection of songs, and the music that accompanies them. But don’t worry… in the next installment of this post I’m sure I’ll revert to the usual nastiness.

OCEANS OF SLUMBER (U.S.)

I guess most people know by now that Cammie Gilbert has a stunning voice. If you don’t know, you’ll find out through this first song and video. You’ll also find out she has some very talented people behind her, including drummer Dobber Beverly, who plays in a lot more extreme bands than this one and delivers a beautifully nuanced performance. Continue reading »

Dec 122019
 

 

It’s been another of those weeks when the rest of life has rudely intruded on my NCS time, and so I haven’t been keeping up very well with new songs and videos. Haven’t even had time to add to my list of things to check out based on what has popped up in the various sources I use. Still, I did pay attention to the following four new songs, and the attention was rewarded.

Be forewarned: If you come to NCS expecting us to rigidly adhere to the site’s title, today’s collection includes a couple of exceptions — two of four.

DAWN OF SOLACE

Fourteen years is a very long time between albums. And in the case of Dawn of Solace, there was no reason to expect a follow-up to The Darkness (released in 2006), because in 2013 the band’s alter ego Tuomas Saukkonen announced the interment of all of his previous bands and projects, and the decision to replace them all with Wolfheart.

But now there will be a second Dawn of Solace album, the title of which is Waves. It’s set for release on January 24th by the new label Noble Demon (who will also be releasing the debut album of Night Crowned, for which we hosted a song premiere last week). Continue reading »

Jan 112013
 

(all photos by Janica Lönn / STORM Photography 2012)

 
As bombshell news goes, this is a pretty big detonation: Tuomas Saukkonen announced yesterday that he is shutting down all of his current musical projects — Before The Dawn, Black Sun Aeon, Routasielu, Dawn Of Solace, and Final Harvest — and starting a completely new one under the name Wolfheart. At the same time, he released a teaser of new Wolfheart music.

Saukkonen disclosed his decision and his future plans in an extensive interview published late yesterday by the Finnish Kaaoszine site. Fortunately for non-Finnish speakers, the article includes an English translation. In a nutshell, Saukkonen explained that he had been growing disenchanted with his most popular vehicle, Before the Dawn, for several years, and that even after the release of BTD’s well-received 2012 album Rise of the Phoenix, BTD no longer gave him the artistic freedom to make the kind of music he wanted to make.

Perhaps ironically, the success of Rise of the Phoenix gave him the freedom to finally leave it behind without regrets. Once that decision was made, he explained, “it was logical for me to clean the table at once and start building something from scratch again.” And that led to the demise of his other bands and the birth of Wolfheart.

Saukkonen says that he began writing new music for Wolfheart in the fall of 2012 and at this point he has already finished recording and mixing half of the songs for the band’s as-yet untitled debut album, with plans to complete it in March and then explore label opportunities. His goal is to release the album before the winter of 2013. Continue reading »