(Here’s Andy Synn‘s review of the new album by the Australian black metal band Deadspace, which was just released today.)
It’s been both a pleasure and a privilege to observe the musical progression of Australian DSBM collective Deadspace since I first stumbled across their Gravity EP in 2016, watching with ever-increasing interest as the band shifted, slowly but surely, away from the goth-inflected anguish of their early days towards a much more aggressive, much more “pure”, Black Metal approach in recent years.
However, it seems like the group’s steady transition away from their gothic/depressive roots has caused some consternation in their fanbase, to the point where they took the unexpected step of releasing a lengthy statement alongside their new album explicitly stating that they’d outgrown or moved beyond the “DSBM” label of their youth, and that The Grand Disillusionment shouldn’t be considered or judged as such.
Which is a little ironic when you realise that there are moments on TGD where the group hearken back towards the DSBM side of things more than they have done in quite some time… Continue reading »