(This seems to be album-review day at NCS. Following our Byfrost review, NCS writer TheMadIsraeli now assesses the new album from Poland’s Decapitated.)
Yeah. It’s that time. You’ve been looking forward to this, I have, we all have, so now you’re wondering what do I, the most boss of all metal-loving Jews, have to say about it? For all you know, I could just be wanting to rub it in the faces of all of you that I have this album (which I do) and you don’t, but well… how do I put this…
This kicks ass. This destroys universes. This is the purest, blackest, weightiest form of sonic nihilism laid to audio I’ve heard all year. And you know what the sad part is? People are gonna hate this because it isn’t “true”, or “kvlt”, or what-the-fucking-ever, whose-it’s, what’s-it’s the elitists like to spout nowadays. Why is this though? That’s simple. Carnival Is Forever rules because it isn’t old Decapitated. This is a rejuvenated band, with a new sound, new look, new attitude, and new sense of purpose who’ve abandoned their tech death past to go into a much more modern sound. I can just see the elitists complaining because what is it that this album has which makes it so, like, good? Well, we have groove, lots of groove, we got djent, we got progressive song structures, we got clean sections, we have Divine Heresy-machine-precision-like chugging, we have blast-beat frenzies, we have shredding solos — this album has everything.
So where do I start in actually reviewing this and stopping the proverbial salivation over it? Three bands immediately come to mind in describing this album: Divine Heresy, Meshuggah, and Nevermore. If you’re complaining already, I highly suggest you order your whamburgers and french cries pronto. This album has no time for your tom-foolery. (more after the jump . . .) Continue reading »