Oct 162012
 

Let’s start this day at NCS with a contrast — two new songs from forthcoming albums that are on opposite ends of the speed spectrum. The first comes from a new Finnish band — Kuolemanlaakso — whose members include some names I’m pretty sure most of you will recognize. The second is from a new release by a French band — Destinity — whose last album I really liked and whose new one is also sounding excellent.

KUOLEMANLAAKSO

This band’s Finnish name means “Death Valley”. It began as a one-man project of guitarist Markus Laakso (Chaosweaver). After recording a handful of demo tracks, he recruited a group of additional musicians to flesh out the band:  vocalist Mikko Kotamäki (Swallow the Sun, Barren Earth), guitarist Savon Surma (“Kouta”) (Chaosweaver, ex-Verjnuarmu), bassist Tuomo Räisänen (“Usva”) (Elenium, The Nibiruan), and drummer Toni Ronkainen (“Tiera”) (Discard, Cult of Endtime).

Together they recorded an album at Woodshed Studio in Germany with V. Santura of Triptykon and Dark Fortress fame, who also mixed and mastered the music. The album is named Uljas uusi maailma (“Brave New World”) and it’s now scheduled for release by Svart Records on November 23. The cover art by Maahy Abdul Muhsin is a real eye-catcher — it’s right after the jump. Continue reading »

Sep 042011
 

(Here’s the last installment of TheMadIsraeli’s almost week-long series on modern melodic death metal. He’s going out with a bang, featuring a killer band from France called Destinity.)

We’re gonna cut this a day short and call it a wrap with this post, since I now officially have other content to review. So, let’s close this baby up, shall we?

Destinity is the product of bringing together EVERYTHING that has been introduced into the melodeath style up to this point and a band who have evolved with the style. You may be surprised when I tell you that these guys have 7 albums. Yes seven. And you’ve probably never heard of them.

Destinity is also proof that despite its rising prominence, the French metal scene is still unfairly overlooked, because this is some of the best melodeath I’ve ever heard. The band’s most recent album,  XI Reasons To See (2010), is a slab of furious, fast, thrashing and blasting melodeath with dark symphonic elements and even some small electronic moments, with harsh, old-school death metal vocals that call back to the greats like Martin Van Drunen of Hail Of Bullets or Patrick Mamelli of Pestilence. If you want your list of influences for reference, it’s quite obvious this band listened to lots of old Arch Enemy, At The Gates, and Hypocrisy. LOTS, OF HYPOCRISY.

This album is made by the sense of drama it channels within its brutal mission statement. Moments such as the opening instrumental “Just Before…” transitioning into “A Dead Silence” show definite veteran status on the compositional front. This album makes a grand, profound entrance most bands have trouble invoking.  (more after the jump . . .) Continue reading »