Sep 052024
 

(written by Islander)

“Blackened Death Metal for fans of Dissection, Behemoth, Dimmu Borgir, Sacramentum and Vinterland“. That’s how Horror Pain Gore Death Productions hails the music on the third EP from New Jersey’s Dragsholm, which the label will release tomorrow (September 6th).

That turns out to be a meaningful set of reference points for the four songs on Sorrow Hexen. And that title of the EP is a good reference point in itself, conjuring thoughts of both melancholia and the occult, both of which are features of the music’s atmosphere — though there are other features as well.

You’ll have an opportunity to experience everything Dragsholm bring to the table on Sorrow Hexen, here on the eve of its release, because we’ve got a full stream for you below. Continue reading »

Aug 112024
 

(written by Islander)

Sadly, this week’s collection of the blacker arts will be brief, not just smaller than yesterday’s Tyrannosaur-sized collection but smaller than the weekly average for this column. I’ve got to get out of the house with my spouse and join up with some other hooligans this morning for day-drinking and ping-ponging words (yes, even people just a stone’s throw from assisted-living age can act like hooligans).

So that’s all the intro I’ve got. I better get to it or this will be even shorter that projected.

ISOLERT (Greece)

I spilled a lot of words about the “devastating magnificence” of this Greek band’s last album, 2020’s World In Ruins — words such as “soaring”, “sweeping”, “near-celestial”, “blazing”, and “tumultuous”, but also “crushing”, “stately”, “dolorous”, and “sublime”. It created ruinous maelstroms but also reached epic heights of glory. Continue reading »