photo by Alyssa Lorenzon

(Below is the third installment of Neill Jameson‘s year-end list for NCS, and we thank him again for sharing it with us and you.)

I could have spread this out a little more this year by posting a whole bunch of ambient I’ve been enjoying from various Youtube channels or maybe going into some of the great reissues that 2024 included, like the first three Blood records so nicely done through Nuclear War Now!. I could have even written about the “Schizophrenia” rerecording the Cavalera brothers released (which I did enjoy quite a bit). But, as I get older, I’m striving to figure out how to say more with less, to be more impactful. 

That made my head hurt just typing it. I’ve been having to lead a lot of corporate training and that kind of phrasing just sticks with you like some obscure STD you probably got sitting on a toilet at work, ironically enough. Everything connects, it’s fucking spiritual. 

So, what have I been up to recently? Glad you asked. I’ve undertaken a new project, Fuck Music, which is initially just going to be a Substack where I write about, you guessed it, music. What a fucking shocking reveal. I’ve considered podcasting but it’s a lot easier on the ears to just read my inane shit without listening to me trail off, searching for ghosts. Plus I’m shit with followthrough, so let’s just see if I stick with this one, ok?

So, this is the end. [Editor’s note: It actually isn’t… tune in again next Monday.] These are the truly special releases in a year that was shockingly packed full of them. I said before I had a really difficult time figuring out a top ten elsewhere and, especially from my second list, any of the releases I wrote about could have ended up here. For a year that felt like an unenthusiastic handjob, given with no love, it was a truly stellar year for music. Here’s my favorites: Continue reading »