Dec 242022
 

In the northern hemisphere Winter officially began on Wednesday, December 21st, the day when half of Earth was tilted the farthest away from the sun, and the shortest day of the year. Since then the days have gradually become longer, not that you’d notice yet. But if you live in North America I bet you did notice Winter over the last few days, kind of like someone deciding to attract your attention by whacking your knee with a hammer. We all fall down!

Here in the Pacific Northwest at the metallic NCS island HQ we were only without power for 10 hours yesterday, presumably because the weight of snow brought some tree limbs down on the power lines that have been strung through them. No power lines are buried here, so they are at the mercy of the trees, and the trees are at the mercy of the wind, which is the usual culprit in the roughly 300 power outages experienced on this island every year, in addition to the occasional snowfalls.

When the power goes, so does the internet, without so much as a wave goodby. I was able to get most of yesterday’s NCS posts loaded and launched by using my phone as a hotspot, the cell service having survived the Winter blow. But I didn’t listen to any new streaming music yesterday, even after the power returned last night. It was kind of a nice break.

Probably some of you had it worse than we did over the last couple of days. At least we weren’t out on the roads or stuck in airports with canceled flights, or maybe something worse. Looks like things remain shitty for a big portion of the U.S. today, but less shitty here because the temp has risen above freezing and now it’s pouring rain instead of snowing, and that will melt all the snow and ice pretty fast. If Winter wanted to give us a real sucker-punch it would drop the temp below freezing again and cause all the vehicles to hydroplane on the roads once again, but the forecast says that won’t happen.

And oh hey, tomorrow is Christmas. Continue reading »

Nov 212022
 

We’re about to premiere an extraordinary album in its entirety. We’re also about to open the floodgates on a waterfall of words, in an unnecessary and probably fruitless effort to explain why it’s extraordinary.

Where to begin? Maybe by saying that although you will see genre labels affixed to the music of Australia’s Estrangement on their album Disfigurementality — principally referring to it as a blending of funeral doom and classical music — there’s no kind of shorthand reference that could be accurate. To borrow from the press materials, “Funereal-Flamenca-Nuclear-Jazz-Fusion-End-of-World Music” comes closer to the mark, but still falls short.

Does it go too far to claim that Disfigurementality is unique? Well, you’ll be the judge of that, but in our estimation that’s what this music really is, something so astonishingly eclectic, so wildly creative, and so mind-blowing to hear that it really does seem unparalleled in the annals of extreme doom. Continue reading »