Oct 262022
 

After seemingly wandering in the wilderness for eight years following the release of their debut album The Apotheosis of Death, the New Zealand band Exordium Mors have returned at last with a new full-length named As Legends Fade and Gods Die, which is now set for release on October 31st by Praetorian Sword Records.

They did break the silence with an electrifying 2019 single called “Surrounded by Serpents“, which is included on the new album, but it’s the combined impact of all seven songs that’s the most powerful reminder of the band’s dazzling (and violent) talents, and proof that they’ve scaled even greater heights on the new record. As the advance press for the album accurately portrays, “Exordium Mors’ sound is akin to a glorious sun burning everything in its sight”. Continue reading »

Aug 122022
 

 

Yesterday I took the first step in a journey of a thousand miles — an only slightly exaggerated metaphor for the task of wading through all the recent songs and videos that might yield selections for these roundups. Today, as you can see, I managed to take a second step. By rough count that leaves about 2.5 million additional steps.

I’m beginning with artwork, unaccompanied by music (the column is called “SEEN and Heard”), but then moving into some new sounds and videos (and more cool cover art).

MOTHER OF GRAVES (U.S.)

This Indiana death/doom band released their debut EP in January of last year, and Todd Manning gave it a very good review for us. He concluded by hoping that a full-length would be close at hand. The hope is now fulfilled, because Wise Blood Records will be releasing the band’s debut album Where the Shadows Adorn on October 14th. And for that album the maestro Paolo Girardi created the stunning cover art you see above.

But what you see above is only half of the full painting. Here’s the complete work: Continue reading »

Jun 242014
 

Once again I waded through the fetid swamp of the interhole this morning in search of new things worth blabbing about. Once again, I found new riches in the muck. Here are three of them.

SÓLSTAFIR

If you think I’m ever going to get tired of pimping Sólstafir, think again. My pimping energies are endless. The latest excuse for writing about them is today’s premiere of yet another new song from their next album, Ótta, which will be released by Season of Mist on August 29 in Europe and September 2 in North America.

The new song is named “Lágnætti”. From the slow piano chords, the sound of strings, and Adi Tryggvason’s plaintive vocals at the beginning, the song builds in intensity with a driving beat and riffs that moan and claw at the sky. Tryggvason’s voice turns searing, but the haunting melody persists through to the end, the piano and the distorted guitar chords forming a duet that sinks it home. Wonderful.

To stream “Lágnætti”, go to this place (and pre-order the album here, or you and I will be having some words):

http://www.revolvermag.com/news/solstafir-premiere-new-song-lagnaetti.html

Find Sólstafir on Facebook here. Continue reading »

Apr 202011
 

(Man, time does fly. Last June we featured a guest post from New Zealand metal blogger extraordinaire Steff Metal introducing us to six NZ metal bands. Steff saw my appeal for guest posts a couple of weeks ago and, awesome woman that she is, she responded with today’s feature on still more metal from her beautiful homeland.)

After writing about NZ Metal Bands for NCS, I made a promise to Islander and a few other people that I would share a list of some of my favourite underground New Zealand metal bands. Possibly this was a year ago – times passes, I have steamtrains to drive, mad Scottish pirates to interview, and sheep to perform unspeakable acts upon.

While our more popular metal bands – 8 Foot Sativa, Just One Fix, Tainted, Sinate – etc, bear a striking resemblance to many popular US bands, our metal underground takes inspiration from all over the world. With a population of just 4 million, a young, rugged countryside of jagged cliffs and blackened shores, and an indigenous culture with a history of brutality and cannibalism, it’s no surprise our metal tends toward the brutal side. Continue reading »