Dec 162024
 

(This is the first part of a five-part countdown by DGR of his 2024 year-end list, with each selection accompanied by his very extensive thoughts about the releases. Our plan is to roll out the rest of the installments on successive days until this week ends or falls into a sinkhole under the weight of his words.)

It feels like I blinked and suddenly a whole year had passed. Maybe it’s just the flow of life finally catching back up to me but this year moved in extreme fits and extreme starts and somewhere along the way I lost track of it among the deluge and wreckage that seems to be a daily existence. Among the piles of charred wood and still yet burning cars is another three hundred and sixty-five days of existence slowly signing its final paperwork and preparing itself to move on from the mortal coil.

At the very least, there was some sort of notification that this was coming. It feels like every year I open with some variation of ‘hey, this previous year sucked shit,’ and I’m pretty sure I’ve taken a similar tack to open up a few of the previous year-end posts – if only some sort of dipshit had done an anniversary post whereby he might have easy access to all his previous years’ transgressions upon the internet and the collective heavy metal world at large –  so I’ll dispense with the usual landfill avalanche of thoughts pertaining to world events and the previous days gone by because, shock of all shocks, this year sucked.

Next year is likely going to suck too and the year after that will probably suck even worse. We’ll make the word ‘suck’ mundane through repetition, as if an ever-present shadow haunting our lives, by the time we’re done with this. Eventually, we will all lose all sense of what the word actually means and we will be permanently trapped in some sort of constant suck-vortex powerful enough that we’ll get dragged into court for infringement by Dyson and we’ll be numb to the common sense of suck surrounding us. We’ll have finally ascended into the boring dystopia I’ve bitched about that is coming for years. Just my luck I can’t even get one with decent Blade Runner lighting. Continue reading »

Oct 282024
 

(Andy Synn might be the biggest Fit For An Autopsy fan out of all of us, but he hasn’t let that stop him being critical of the band’s new album when necessary)

My first reaction to the new album from Fit For An Autopsy was, to be frank, one of disappointment.

Look, I know a lot of you are going to be mad that I wrote that, and you’ll probably be even more mad by the end of this review (though, please, do try and stay until the end, as there’s a few twists coming, and the added context will be important).

But the truth is that most of the pre-release tracks seemed fairly bland and toothless to me, and upon finally receiving the full album I quickly became concerned that the band had finally reached that point where they felt obliged to tone things down and play it safe in order to stay “on top”.

And, if we’re being honest with ourselves (and not just engaged in some sort of sycophantic parasocial relationship where the band can do no wrong), there’s probably at least a little truth to this – whether consciously or not – because much of the band’s new album, in line with their increasing status and popularity, feels like an attempt (whether a successful one or not depends on where you stand on these things) to capitalise on what’s already worked for them without necessarily moving things forward at all.

But, thankfully, that’s not all that The Nothing That Is… is.

Continue reading »

Jan 132022
 

(Andy Synn takes a look at the new album from Fit For An Autopsy – out tomorrow on Nuclear Blast – to see what the future holds the band)

Love them or loathe them – and it should be pretty clear what side of the equation we fall on here at NCS – there’s no denying that Fit For An Autopsy have been on a nigh-unstoppable roll for the past several years.

But I’m here to tell you that, as good as both The Great Collapse and The Sea of Tragic Beasts were (the latter especially), Oh What The Future Holds makes them seem like a mere practice run in comparison.

Continue reading »

Sep 252021
 

 

To avoid boring you and offending vegetarians and vegans out there, I’ll spare you the details, but I have to pick up an animal carcass and then burn wood in a pit for about 6 hours today before burying it. There’s a lot to be said about staring at fire for 6 hours, but I’m going to drink anyway.

And anyway, because this all has to get started soon and because I slept in, I’m unable to write this morning. Even in the “Overflowing Streams” format I usually manage to write a couple sentences about the new music and videos I’ve chosen and then leave pre-order and Facebook links. I don’t even have time to do that today. In the 11+ years of NCS I can’t remember another time when all I’ve done is installed the music streams and videos. I guess there’s a first time for everything.

To salve my wounded conscience I did decide to (mostly) limit this collection to what I consider well-known bands because you’ll probably have a good idea about what’s coming without me providing any guidance. But there may still be a few surprises.

P.S. There’s no new music from Lock Up in this collection. I just like Khaos Diktator‘s cover art for the band’s new album. The first single, “Dark Force Of Conviction”, will be coming on September 30th with a video. Continue reading »

Oct 182019
 

 

(We present Andy Synn‘s review of the new album by New Jersey’s Fit For An Autopsy, which will be released on October 25th by Nuclear Blast and features cover art by Adam Burke.)

There’s a hoary old cliché that says “good artists borrow, great artists steal”.

We all know it, of course, but have you ever thought about what it’s really trying to say?

The point it’s trying to make, at least the way I see it, is that while some artists may borrow an influence here or there from various sources, the really great ones take these influences and make them their own.

And that’s precisely what prominent “Gojira-core” pioneers Fit for an Autopsy have done on their latest, greatest, album, taking the very best elements of the Duplantier brothers’ pre-mainstream work – the powerful riffs and primal vocals, the turbulent, tidal rhythms and melancholy melodies, the ear-catching, attention grabbing pick-scrapes – and stamping them with their own indelible mark. Continue reading »

Mar 222017
 

 

(Andy Synn reviews the fourth album by New Jersey’s Fit For An Autopsy.)

It’s a little-known fact, but we actually quite like Deathcore here at NCS… at least, when it’s done well.

After all, our purview has always been to write about Metal, in all its forms, regardless of style or sub-genre. As long as it’s good, as long as it has the passion, the power, and the energy we’re looking for, we’ll write about it.

It doesn’t matter if the band is big or small, new or old, mainstream or underground. Black Metal, Death Metal, Prog, ‘core, or Post-… if the quality is there we’ll do our darnedest to cover it.

Which leads us, nicely, to the new album by New Jersey noisemongers Fit For An Autopsy. Continue reading »

May 072012
 

Last year, the SUMMER SLAUGHTER tour promoters came up with the clever idea of sponsoring a fan vote for the tour’s opening band and then organizing a second tour for the bands on the ballot who lost the election. This year, they’ve done it again, giving metal consumers two tours instead of one.

This year’s SLAUGHTER SURVIVORS tour is headlined by Pathology and includes Enfold Darkness, Fallujah, Fit For An Autopsy, and Aegaeon. We’ve complimented the music of all these bands in previous NCS posts (if you don’t believe me, type their names in the search box), and this should make a worthwhile show for those who live in the right U.S. cities.

Speaking of which, the schedule is after the jump. Continue reading »