(Today we have not one but two reviews of the just-released album, Agony, by Fleshgod Apocalypse. Israel Flanders turns in this one.)
This is the very image and sound of death approaching you.
Let’s get something straight from the get-go: This is a no-holds-barred, no-messing-around, no-nonsense, non-stop symphonic blitzkrieg of insurmountable proportions that may very well top The Monolith Deathcult’s legendary sophomore album Triumvirate.
Yes. I just said it.
If you’re looking for ham-fisted forced diversity, get the fuck out. If you’re looking for pretentious “boundary breaking” and lots of pretty, clean vocal sections to make it feel “sophisticated,” I highly suggest you turn in your brutal-ass war-bringer club membership card. This is metal, in all of its epitomizing glory.
There are only three ingredients here: guitars tuned to B, copious amounts of blazing speed, and brutality with the heft and weight of a bag full of sledgehammers being flung at you by by an iron golem out of the most badass of fantasy realms. Did I forget the orchestra? You know why I didn’t include it as an ingredient? Orchestras are brutal. Got a problem with that concept? Didn’t think so. (more after the jump . . .) Continue reading »