Oct 112023
 

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(In this new interview Comrade Aleks engaged in a fascinating discussion with Nicolò Brambilla from the genre-bending Italian metal band Aphotic, whose debut album Abyssgazer was released last spring by Sentient Ruin.)

The chronicles of death-doom know two bands named Aphotic, and both are great in their own way. Aphotic from the US was a short-lived band formed by ex-members of Dusk; sadly, it was split in 2005, leaving just three EPs behind.

Aphotic from Milan was founded in 2020 by ex-members of the death metal act Ekpyrosis: L. Zeit (bass, vocals), F. Abisme (drums), and N. Gazer (vocals, guitars, synth). Their colleague from Fuoco Fatuo, K. Coil (guitars), joined Aphotic in 2022 right in time to take part in the recording of the band’s first album as a guest. Abyssgazer was released through Sentient Ruin Laboratories and Nuclear Winter Records in March 2023.

The band tends towards rather “doomed” death metal with a few influences outside these genres, and Abyssgazer is remarkable with its rich textures, highly intense delivery, and in-depth atmosphere, which fits its concept well. The philosophy of Cosmology is hidden between its lines and manifests itself through the play of celestial lights and ugly shades born from phenomena beyond human understanding.

Nicolò Brambilla aka N. Gazer revealed a lot of interesting facts about Abyssgazer in the current interview. Continue reading »

Mar 072021
 

 

I want to thank those of you who have left comments or sent messages expressing sympathy and support for my current day-job misery. I was also surprised, and admittedly a bit disappointed, that a lot of people checked in on yesterday’s post even though I didn’t have the time to write about any of the music — or even listen to it! So I thought, what the hell, let’s do that again.

This column is usually devoted to black metal, and so I’ve started that way but also diverted from it. But yesterday one of our supporters (rodney) left a comment with some recommendations, and I thought I would include some of those here at the end, because he included some enticing descriptions of the bands and their music. Some of that music would seem to fit SHADES OF BLACK and some might not, which is true of my own choices

I again haven’t listened to any of this. As was true yesterday, I’m gambling, but these all seem like good bets. Continue reading »

Feb 042017
 

 

It’s been a crazy week for this half-witted editor. Interferences by my fucking day job coupled with interferences by my non-blogging personal life prevented me from posting any news and new-music round-ups all week. That means I’ve accumulated an enormous list of things since last weekend. Unfortunately, I still won’t have time to catch up this weekend.

I’ve got work I need to do today for an annual event I’m attending tonight with my spouse, and based on past experience, I’ll be in no condition to write anything on Sunday morning. I’ve agreed to post one premiere tomorrow, which I’ll get ready today, but there probably won’t be anything else on the site tomorrow. Maybe the coming week will be less crazy and I can do a delayed Shades of Black thing and/or a “That’s Metal!” post after the new week begins.

Okay, enough with the excuses. On to a regrettably small but diverse collection of new things I noticed last week.

HIDEOUS DIVINITY

When I first started using the title “Seen and Heard“, it was because I intended to include both news about, and artwork from, new albums, even when there was nothing yet to hear, as well as streams of new songs. And I have items in both categories to recommend today in this large collection, beginning with the artwork at the top of this post. Continue reading »

Feb 042014
 

Still catching up on new music I missed over the last couple of days, I’ve compiled this collection of new songs by three European bands that I recommend highly.

MORBID FLESH

I make no secret of the fact that I have a quivering weakness for old-school, reeking-corpse death metal. It’s a genre in which I expect no molds to be broken, but I do want the right spirit and the right flair — faithfulness without tedium. Morbid Flesh from Barcelona, Spain, definitely meet those expectations.

They’ve recorded a new EP under the title Embedded In the Ossuary, which is scheduled for release on March 31 through Germany’s Unholy Prophecies. It caught my eye because of the wonderful cover art (above) by Javi Castaño and because it was recorded, mixed, and mastered by Javi Bastard of Spain’s Graveyard, and he knows a thing or two about old school death metal (Graveyard’s Jordi Gusi is also a member of Morbid Flesh). Recently, Unholy Prophecies began streaming a Morbid Flesh track named “Charnel House”, and I listened to it this morning. Continue reading »