Dec 192024
 

(We’ve made it to the fourth installment of DGR‘s Top 50 year-end list, with another block of 10 releases being ranked, and one more section slated for arrival tomorrow.)

You ever do something constantly even though you’ve known for a while that it is taking a lot out of you and driving other people insane? I have habits that I can’t break and sometimes think that long ago we evolved past yearly ‘tradition’ and into something in the warehouse of yearly ‘ritual’ instead.

This YE list series is my closing act in a way, the final signing off, tying of the bow and boot out rifling out the door of my writing for 2024. The final summation in many ways of everything up to this point even though it’s the one time I allow my writing to really veer off the officious sounding mark and into casual territory, as if we’re sitting across the table from one another, and I – in my incredulously drunk state – have achieved inebriated Buddha status and am ready to guide along my vision of the eight-fold path of heavy metal and wild-eyed lunacy.

The realer reason of course is that it helps break up the daily routine and gives me reason to sit cross-legged in front of the computer and just type endlessly, laughing about how I’ve never learned how to type properly and am of the school of ‘whatever finger is closest, thumb is for space bar and I use my pinky if I’m feeling fancy’ yet am still somehow in the one-hundred words per minute range. It’s stupid, but it helps break up the end of the year when I feel like I’m just running in endless loops. Continue reading »

Oct 292024
 

(We present DGR‘s review of the new album by Gaerea, released on October 25th by Season of Mist.)

Portugal’s Gaerea are a smart band. Early on in the group’s inception someone within the band’s lineup recognized the value of both visual aesthetics and theatricality in their music. The group existed as part of a mid-aughts wave of black metal and doom metal groups that quickly took to the anonymization of masks and robes – so that even though the band could claim that the focus was to be put more on the music, you were more than likely drawn to the visual spectacle as well.

Gaerea have been perfectly positioned to both react to and become part of current trends within the heavy metal sphere. You could say there’s luck involved but many of their movements have been remarkably shrewd as well. They could be treated from an “every second tells a story” perspective, as both musically and visually there is always some sort of bombastic movement happening, the hand dancing and wild contortions befitting a Microsoft Kinect Game slowly evolving to hold just as much importance as the music itself.

And, while many bands can and have gotten by on just sheer spectacle and imagery – and have done so fairly well – it helps that Gaerea‘s music has long matched the lunatic puppetry taking place onstage. Continue reading »

Sep 292024
 

(written by Islander)

As I did in yesterday’s weekend roundup, for today’s column I’ve chosen a mix of complete new releases and advance tracks from forthcoming records. I’ve also consciously mixed up the musical styles, all of which use black metal as a touchstone but throw other stones at us as well. At the end I’ve also embedded three new videos without commentary; they’re all worth seeing and hearing, even though I haven’t tried to explain why.

P.S. In certain parts of the Christian world today is Michaelmas, feast day of the archangel Michael, who is celebrated for casting the Devil from Heaven. The Devil has had a celebrated career on Earth since then, as today’s music helps prove. Today is also probably the birthday of Miguel de Cervantes Saavedra, the author of Don Quixote, which will always inspire its readers to continue tilting at windmills, which thankfully all of today’s bands are doing. Continue reading »

Aug 252024
 


Arkona

(written by Islander)

Yesterday I read a story about a recent lobster-boat race across Casco Bay along the coast of Maine. It was won by a man and his 14-year-old daughter, with his daughter at the wheel of their 32-foot diesel-powered fishing boat. The man summarized their race strategy to a reporter: “Point it and punch it!”

Today’s collection includes new music from black metal bands who follow a similar strategy, but it also includes music that reveals a different strategy, something more like “slow it and sink it” (and maybe set it on fire first).

What ties all the music together is the presence of emotionally moving melodies and often the achievement of a certain scale and sweep (vast). Continue reading »

Jul 182024
 


Photo Credit: Chantik Photography

I’m so far behind in pulling together roundups of new songs and videos for NCS that I can’t even think of an appropriate metaphor. Maybe like a marathon runner who takes an arrow to the knee just as the starting gun goes off and is still writhing on the ground when the last runner crosses the finish line — but I’m even more behind than that.

Another metaphor comes to mind, the one about a journey of a thousand miles beginning with a single step. This is a journey I won’t finish, if finishing means catching up, but here’s a single step (actually 7 steps, to be less metaphorical and  more precise).

P.S. I decided to lean pretty hard into black, death, and blackened death metal on the especially incinerating and obliterating end of the spectrum, with something dark and hallucinatory more or less in the middle. Continue reading »

May 022024
 

Tomorrow is another Bandcamp Friday, and I had enough time to get ahead of the game today with a few selections that might help drain your bank account tomorrow. Actually, it’s more than a few — new singles and videos from 11 bands, spanning a very broad spectrum of music.

GAEREA (Portugal)

We begin with an intense new stand-alone single from Gaerea. As the band explain, “‘World Ablaze‘ tells the story of a man who has lived all his life inside a cage. He knows that one day he will be set free and experience the world with its true colors. Unfortunately, he also knows that day will be his last hours alive. It’s a song about desire, hope and freedom. A dance between life and death, hope and despair”. Continue reading »

Jan 102023
 

Not for the first time, and it won’t be the last time, I picked today’s three additions to this list by focusing on song candidates by bands whose names begin with the same letter. That made the selection process less mind-boggling for me. It’s not a recipe for overall success, because I don’t have enough days left to cover every letter in the alphabet, and because not all letters are equally deserving in this context. But it worked well for today, when these three bands jumped out at me as I gazed at the Gs. Or, we could say I managed to find the G spot.

GOATWHORE (U.S.)

Angels Hung From the Arches of Heaven was another album where we could throw a dart at the track list and come up with a song for this list wherever it landed. As DGR wrote in his extensive review, it’s another testament to a level of consistency that has made Goatwhore a “cultural touchstone within the heavy metal music community,” providing “big riffs, big sections, and room-filling music matched equally in terms of heaviness,” and with “just enough surprise to keep things exciting”. Continue reading »

Sep 212022
 

(Andy Synn takes a look behind the mask with Gaerea‘s new album, Mirage, out on Friday)

What’s in a name, anyway?

Well, according to some people… not a lot. And according to others… a great deal. Especially when it comes to genres.

Case in point, there are some people – by no means a majority, I should point out right away, though often the loudest and/or most obnoxious – who would balk at the very suggestion that Gaerea are a “true” (or “trve”) Black Metal band due to the fact that their sound is too “polished”, their visual aesthetic too “clean”, and so on.

And yet, for every one of them (I think of them as the Black Metal equivalent of the Amish – zealously convinced that a certain time period was the only “righteous” one, and that any progress beyond that should be shunned) there’s at least a dozen more for whom the very idea of questioning the band’s right to “belong” to the genre (of which they are so clearly and obviously a part) is patently ridiculous.

But the thing is… while much digital ink (and the occasional bit of non-digital blood) has been spilled over this argument, and many like it over the years… it’s obvious that Gaerea themselves don’t really care what you call them. They know who they are. And it’s the music, and not the labels which others put on it, which defines them.

Continue reading »

Jul 122022
 

 

In the dozen years of this site’s existence we’ve had fewer than a dozen days (including weekends and holidays) when we posted nothing new. Yesterday was one of those. I’ll spare you the excuses, which were numerous, but I still felt guilty about it. So I’m trying to make up for that void today.

In gazing upon my long list of songs I wanted to recommend, it occurred to me that most of them were variations of black and blackened metal, so I decided to focus on those and leave other genre variants for another day.

There’s a lot here, all of them tracks from forthcoming releases, and so I’ve truncated the introductions and mostly omitted the usual artwork. I begin with bigger names and then drift into more obscure ones. Continue reading »

Feb 012021
 

 

This is the day on which I originally planned to end the rollout of this 2020 list, but I’ve revised my plans, mainly because I wasn’t able to make a new installment on a daily basis during January. The days I missed have left me with too many songs that I still want to include.

The 2019 edition of this list included 60 songs, which was a lower number than in the preceding three years. If you’ve been counting, you know that this year I’ve only made it to 42 so far (including today’s two tracks), so I really feel compelled to keep going. When will I stop? I haven’t quite figured that out yet, but I’ll let you know when I do.

…AND OCEANS

…And Oceans‘ 2020 record Cosmic World Mother was a comeback album, the group’s first full-length release since 2002. As my friend DGR wrote in his review, it was also one of the more blistering releases to come out last year, a symphonic black metal assault that was “absolute hellfire in song form”. But that didn’t mean it wasn’t contagious. Continue reading »