SHADES OF BLACK: RAVENCULT, KYY, GESPENST, SECTASYS, AUREOLE, SHINING (NORWAY)

 SHADES OF BLACK  4 Responses »
Sep 252016
 

ravencult-force-of-profanation

 

Time to make the Sabbath black again. I had great difficulty pulling together this week’s collection of black metal, and music next door to it (I’m apparently forbidden from using the term “blackened”, at least temporarily). I have a massive list of new music in this vein that I’ve assembled over the last week alone. I wish I had time to make this collection two or three times longer than it is. In other words, just another Sunday.

Lots of eye-catching cover art in here, too.

RAVENCULT

Almost exactly one year ago Metal Blade announced the signing of the Greek black metal band Ravencult, and now, roughly five years after their last album, a new one is on the horizon. Bearing the name Force of Profanation, it’s set for release on November 11. The first song in today’s collection is the album’s first advance track, “Beneath the Relics of Old“. Here’s what the band said about it: Continue reading »

FREE SHIT FROM DUPLICATE RECORDS: “AN ALIGNMENT OF SHRINES”

 Free Shit, RANDOM FUCKING MUSIC  1 Response »
Apr 022016
 

Duplicate Records-An Alignment of Shrines

 

On this Saturday morning I’ve been struck by a combination of early slothfulness and (annoyingly) a subsequent need to deal with some internet service problems. I had plans to review two EPs for today, but since it’s already noon out here on the Left Coast and I haven’t written a word, I wondered what the hell I would do to foist music upon you. And then I received a Bandcamp alert in my e-mail and… Voilà!!!

That Bandcamp alert concerned a just-released compilation of sounds from Oslo, Norway’s Duplicate Records entitled An Alignment of Shrines. It includes tracks by 14 bands — four of them from forthcoming releases and the rest from Duplicate releases over the last year or so. I recognized the names of 10 of the bands, and it happens that I’ve enjoyed and we’ve previously written about the music of all 10 of those. Here’s the list of the bands and the names of the releases from which the songs were drawn: Continue reading »

SEEN AND HEARD (PART 2): DEVOURER, SACRILEGIUM, UN, GESPENST, TAKATAK

 RANDOM FUCKING MUSIC  4 Responses »
Nov 172015
 

Devourer logo

 

Earlier today we brought you a round-up of songs from Comrade Aleks. The epicenter of all his chosen music was Italy, and so I thought I would expand our geographic horizons with the following collection of recommended new tracks that I sifted from the usual flood of sounds over the last 24 hours. The bands featured below come from Sweden, Poland, Seattle, Denmark, and Pakistan.

DEVOURER

Devourer are a two-man Swedish band founded in 2002 by John “Steinfaust” Falk (who plays all instruments and has also been the drummer for Sorcery) and he was joined in 2007 by lead vocalist Fredrik “Crocell” Håf. After recording two demos (Malignant and Thy Devourer), the band released their first album in January 2013 under the title All Hope Abandon. I discovered the band through their 2013 single, Filth; the title track was released in video form and reviewed here. Yesterday, Devourer released another single — and it’s also excellent. Continue reading »

SEEN AND HEARD: GESPENST, ORTHODOX, PYLAR, ARCH ENEMY

 RANDOM FUCKING MUSIC  9 Responses »
May 052015
 

 

Here’s an assortment of new music I discovered over the last 24 hours with some help from friends. Needless to say, I urge you to give all of it a listen.

GESPENST

Gespenst is a new Danish black band with some experienced members — vocalist/bassist Galskab, for example, is also a member of Woebegone Obscured, Dwell, and Black Dementia, as well as a former member of Horned Almighty and a live performer with Glorior Belli.  Gepenst have recorded a debut album named Forfald (Danish for “Downfall”), and yesterday they uploaded for streaming an excerpt of one of the album’s songs that blew me away when I heard it (it comes with some eye candy on YouTube).

The song’s name is “Life Drained To the Black Abyss”, and it’s a long one. Even the excerpt is more than 7 1/2 minutes long; as I learned from the band, the complete track runs more than 12 minutes. The album as a whole includes over 40 minutes of music, but only four tracks, so each of them is likely to be a long-form piece. Continue reading »