Sep 302024
 

(NCS contributor Gonzo usually helps us close the end of months with a collection of reviews, and he does so again today, but this time focusing on just two albums, both of them created by bands from Denver.)

This won’t be news to most of you, so I’ll get right to it –

The rolling thunder of the Denver metal scene cannot be denied. It’s been on a powerful sort of kick in the 2020s, and few American cities can rival the raw talent and creativity that constantly comes pouring out of it. I know this because I live here. Between the crushing ubiquity of heavy music and craft beer, this place is a veritable haven for people who wear battle jackets to bars.

And as the metal gods would have it, two new albums from two rising stars in the Denver scene have been released within a week of each other – Glacial Tomb’s Lightless Expanse and Nightwraith’s Divergenceand if you haven’t heard of either band, buckle up motherfuckers – these albums are poised to change that. Continue reading »

Jul 272024
 


photo by Weiyi Cai/The New York Times

Yesterday was a day of firsts. Among other things, it was the first time a heavy metal band performed in the opening ceremony of the Olympic games. And the first time memes took off about a U.S. vice-president candidate fucking a couch. Less exciting, I’m also pretty sure it was the first day since I started this blog 14 1/2 years ago that we failed to post anything on a weekday.

I made a whirlwind driving trip with a friend to Vancouver, heading north on Thursday and coming back to Seattle yesterday. In between, we attended a blowout celebration related to our day jobs that left me not enough clear-headed time yesterday morning to do anything before beginning the trip home, even though I had a couple of interviews ready to publish.

I’m getting a late start today, and that whirlwind trip didn’t give me any time for listening to the kind of music we focus on here (my road-trip companion isn’t into that kind of music, and anyway, I didn’t bring with me my list of new stuff I wanted to check out). So I did some whirlwind catching up today, and here’s what I hurriedly picked to share with you. Continue reading »

Oct 302018
 

 

(Despite what the title of this post says, Andy Synn hasn’t managed to review every fine 2018 album and EP we’ve heretofore failed to write about, but he does catch up with more than two dozen of them.)

While lots of blogs/zines are already (or soon will be) switching their focus away from covering new releases and towards consolidating their annual “Best Of…” lists, here on NCS island we’re still doing our very best to bring as many new (and some not so new) albums/artists to your attention as possible.

Of course the truism that “there’s simply too much music out there” remains as painfully accurate as ever, and it pains me to admit that I/we simply can’t cover all the releases we want to, in the depth we want to, no matter how hard we try.

So consider this article a voluntary mea culpa acknowledging our limitations and a (probably futile) attempt to make amends a little bit to all the bands and artists who we may have missed or ignored over the last several months, as well as to shine a light on a couple of upcoming releases you’ll probably want to keep your eyes/ears open for. Continue reading »

Sep 192018
 

 

Here’s a mid-week collection of new songs that have struck a chord in my listening over the last day or two, and have the added benefit of presenting a range of styles and moods, increasing the odds that you’ll find something to like as well.

1914

1914 are based in Lviv, Ukraine. Their debut album Eschatology of War was released at the end of 2015 by Archaic Sound. As the band’s name suggests, they have devoted themselves to exploring the horrors of World War I in their music. That’s rare subject matter in metal, and for that reason alone I decided to explore that first album, and came away mightily impressed by its blending of samples from period songs and punishing hellfire, and by its agile balancing of musical elements from black, death, doom, and even progressive metal. I wrote at the time: Continue reading »

Jun 112017
 

 

It’s been three weeks since the last time I compiled music for a Shades of Black post, mainly because I was away from home the last three weekends. To somewhat make up for lost time, I’ve picked recommended new music in a blackened vein from more than a dozen bands and have divided the collection into two parts. Not sure if I’ll get Part 2 posted today or Monday, but most likely the latter.

GRAVEIR / MAR MORTUUM

I decided to start this post with a new split release by the Australian bands Graveir (Brisbane) and Mar Mortuum (Melbourne) so I would have another excuse to prominently feature Jef Whitehead’s artwork for it (I already posted it on our Facebook page yesterday). The music is also very good. Continue reading »