Oct 312023
 


photo by Frank Ralph

(In mid-August Profound Lore Records released Distortions, a new album by British doom metallers Godthrymm, and today we present Comrade Aleks‘ interview with two members of the band, Hamish Glencross and Shaun Taylor-Steels.)

The name Godthrymm is familiar to many, and doom fans couldn’t help but hear how this UK-based band fired off one after another top-notch EPs A Grand Reclamation (2018) and Dead in the Studio (2019), and then struck with an epic full-length manifesto, Reflections (2020).

Their traditional, epic-oriented doom metal has deep roots. The singing guitarist Hamish Glencross went through the universities of My Dying Bride and Vallenfyre. The drummer Shaun Taylor-Steels played not only with the Brides, but also with Anathema. And if we dig deeper, we can easily find that both of them studied the basics of doom back in the ’90s, as part of the ever-memorable Solstice team.

Hamish and Shaun, along with bassist Sasquatch Bob and Hamish‘s wife, Catherine, who this time sings and plays keyboards, returned this August with a new album, Distortions.

(This interview was conducted shortly before the release of the album and was first published in the Spanish metal-magazine This Is Metal.) Continue reading »

Jul 262023
 

(We present Wil Cifer‘s review of Godthrymm‘s new album, which is set for release on August 18th by Profound Lore Records.)

Doom does not feel like summer music to me. The heat normally makes me want to listen to death metal. I am on the other side of the bridge from Tampa, the birthplace of classic death metal, so it’s not until the storms roll in over the bay that I am in the mood for the kind of doom this gloomy British band churns out.

Despite having ex-members of My Dying Bride and Anathema in the band they are not weighed down by trying to capture the Peaceville sound. They further separate themselves from a great deal of modern doom by chugging forward with melodic purpose rather than getting lost in the meandering around a droning sprawl of sound.

Continue reading »

Jun 112022
 


Panzerfaust – photo by Samantha Carcasole

I got an unreasonably early start on the day. On the plus side, that gave me the time to pull together the following large roundup of new discoveries before too much daylight burned. All these songs and videos came out since the first of June.

Fair warning: I have equally exorbitant plans for tomorrow’s SHADES OF BLACK column.

PANZERFAUST (Canada)

When I saw Panzerfaust at this year’s Maryland Deathfest I wrote this on my FB page: “A wizard of a drummer seated in a garden of cymbals and using all of them; a man-mountain of a frontman who by his mere presence enhances the frightfulness of the music; a pair of axe-slingers who play their instruments near-upright; the creation of an aura of ritual but with visceral thrusts: an amalgam of hallucination and hammering. Well, I’ve missed a lot of sets at MDF but the one by Panzerfaust tonight is the best of the bunch so far and it isn’t close.” Continue reading »

Feb 142020
 

 

(Here’s another one of Andy Synn‘s tripartite review columns devoted to recent releases by bands from the Emerald Isles.)

I’m sure I had some sort of cool, edgy, non sequitur of an intro in mind when I first started thinking about this column… but burn my eyes if I can remember what it was.

So let’s just get right down to it, shall we?

Here are three fine-fettered examples of “the Best of British” that I think you’ll all enjoy, two of which are actually only just being released today! Continue reading »

Dec 142019
 

 

Friday nights are usually perilous for yours truly, and tend to portend ugly Saturday mornings. Last night, however, I was a good lad. After only a moderate amount of drinking to celebrate the end of the work week I made it home at a reasonable hour, only to discover that my spouse had already conked out. With her solidly in the Land of Nod after what had been an exhausting week for herself, I spent a couple of hours listening to new music before conking out myself.

From that experience I picked the following new stuff — a smattering of bigger and lesser-known names, and kind of a weird scattering of sounds and styles that nevertheless made sense to me as a playlist. Whether it will make sense to you is of course a different question.

CARCASS

What do you think of the new Carcass single? Surely you’ve already heard it. As the first new song in six years from one of metal’s most revered names, it escaped the attention of only those who live under rocks. If you’re only now peering from beneath your own rocks, I’d suggest you give it a whirl. Continue reading »