Dec 092016
 

lock-up-band-2016

 

I’ve been immersed in compiling LISTMANIA features the last few days, but at the same time I’ve been noticing the appearance of new songs, many of them from albums headed our way in the new year. I’ve rounded up 9 of them here that I’ve enjoyed, with a range of metallic styles. I organized them sort of like a bell curve, with things starting hard and then getting more melodic in the middle, and then descending again into increasing ugliness and violence by the end.

Also, serious question: Should I divide collections of this length into smaller parts and spread them out over the day? Or does it matter?

LOCK UP

I’m afraid that if I googled “lock up” these days, I’d get stories about Donald Trump and Hillary Clinton. The world obviously needs to grind again, and the real Lock Up is here to help us do that. Continue reading »

Oct 282014
 

 

(Austin Weber reviews the new album by Hadal Maw from Australia.)

While I had recently featured Hadal Maw in my latest Recalcitrant Roundup article, it was not as in-depth a write-up on their debut album, Senium, as I would have liked due to time constraints. So, when the band hit me up after my post offering to send me a physical copy all the way from Australia, I gladly agreed and now give it the full review it deserves.

Before sending the album, the band mentioned that it was “meant to be listened to and viewed”. I could not fathom what they meant by that until it arrived — and I was blown away by the packaging. The album is not a typical jewel case. Instead, it folds out from all sides, leading to a stunning array of other art pieces beyond the cover, on both the front and back sides once unfolded. The proper term for this type of packaging is Maltese Cross Digipak. I have never seen anything like it before. It’s truly impressive, and a real reason to invest in the physical version of this album if you like what you hear. Continue reading »

Oct 042014
 


(In this latest installment of a multi-part piece, Austin Weber continues rolling out recommended releases from his latest exploratory  forays through the underground. The first installment is here and the second is here.)

ANTHROPOMORPHIC SOUL

This release came to my attention by way of my good friend Corey Jason, also known as the sole force behind The Conjuration, whom I’ve covered here at No Clean Singing several times. So it’s fitting that what he sent me was also a one-man death metal band.

Anthropomorphic Soul is a Portugal-based projected led by sole member Nuno Lourenço, with a few guest solos and guest sax playing added for good measure. Seed Of Hate is certainly experimental death metal, yet always interesting, wrapped in a mechanical sheath of industrialized buzzing, giving it a very different, demented, horrifying feel. The skronky saxophone embellishments on “Anthropomorphic Soul” and “A New Beginning” add another flavor of mania into the mix, especially since they are not quick sax solos but extended soundscape additions — much like the quirky orchestral/choral overlays that also rise to the surface from time to time.

Seed Of Hate is hard to categorize, as it doesn’t really fit within one kind of death metal, nor is it clearly inspired by a single source. The problem I usually have with one-man death metal is that, minus Necrophagist and a handful of others, the songwriting often falls flat in favor of technical performances that are highly derivative. Fortunately, Anthropomorphic Soul does not succumb to that pitfall. For that reason alone, Seed Of Hate is worthy of your time. Continue reading »