Nov 122014
 

 

(We welcome our guest Jeff from the Life In the Vinyl Lane blog, who sent us this report on the Iceland Airwaves festival plus a few of his photos.)

“We are going to play a few songs about friendship and love… and hate! And the first song is about trucking.”

So began the set of Iceland’s heavy metal grandfathers, HAM. We are HAM!

It’s hard to believe that just yesterday I was in Reykjavik, Iceland, still in the afterglow of Iceland Airwaves 2014, and today I’m back in Seattle. Doing laundry and paying the bills that piled up while we were gone. How quickly things change.

If you’re not familiar with Airwaves, it’s a five-day music festival held in Reykjavik, a festival that covers just about the entire gamut of musical styles and genres, all seemingly, except country and jazz. It started in 1999 with a handful of bands playing in an airplane hanger and has morphed into a sprawling celebration of music spread out throughout downtown Reykjavik, featuring over 200 bands playing in every conceivable location – dedicated music venues, bars, clothing stores, hair salons, and a tent located outside a hot dog stand. You can’t walk a block without hearing live music. And it’s awesome. Continue reading »

Aug 272014
 


Eistnaflug revelers.

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 2 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site. Part 1 of her report for us is here and Part 2 is here.)

 

For the few of us who bothered with the hours before – or even slightly after – noon on Saturday, the desperate drunkenness of Friday night had given way to a comfortable morning buzz. Fewer than two dozen made it to the first show of the day at 1 p.m., AMFJ.

Which was too bad. Aðalstein Motherfucking Jörundsson is one barefoot guy at a little table in the middle of the floor. There wasn’t much to see, but there was a lot to hear. The set started out doomy and moved into a rave-worthy beat supporting vocals distorted beyond recognition. It was some killer industrial noise.

https://amfj1.bandcamp.com/ Continue reading »

Nov 192012
 

EDITOR’S NOTE: Seattle-based writer and NCS reader Gemma Alexander happens to be a fan and student of all things Icelandic. After months of planning, Gemma journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which includes over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

Though Airwaves may be best known as an indie pop fest, it also includes performances by an impressive array of Icelandic metal bands. Knowing of NCS’ own appreciation for Icelandic metal and the attention we’ve paid to Icelandic bands this year, Gemma offered to arrange interviews with several of them. We previously posted her interview of Angist, and today we’re privileged to give you Gemma’s interview of two of the members of Beneath, whose killer debut album was released earlier this year by Unique Leader (featured at NCS here).

Gemma has also been blogging about her entire Icelandic vacation — and it’s wonderful. Do yourself a favor and check it out HERE. And now, here’s Gemma’s interview — with some Beneath death metal at the end.

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Beneath is fairly new, but the musicians behind the name are some of the heaviest hitters in Icelandic metal. Fronted by Gísli Sigmundsson of the historic Sororicide, with Unnar Sigurðsson of Ophidian I fame on guitar, and with drums provided by Atrum’s Ragnar Sverisson, Beneath came out swinging in 2009, winning Iceland’s first Wacken Metal Battle. An EP followed in 2010, with their first full-length, Enslaved by Fear, released this July. Needless to say, all of the usual metaphors involving blunt force trauma apply.

I was fortunate to meet with Gísli and Ragnar at Dillon Whiskey Bar in Reykjavík before the Iceland Airwaves festival. We talked about the band, their music, and the state of Icelandic heavy metal. Continue reading »

Sep 082012
 

Here are a randomly noticed assortment of art, news, new music, and a video I saw and heard yesterday that I thought were well worth sharing.

VASTUM

Vastum are a Bay Area band who began under the name Corpus as a side project of vocalist Dan Butler and guitarist Kyle House from the amazing Acephalix, whose titanic 2012 album Deathless Master I reviewed here. They were eventually joined by guitarist Leila Abdul-Rauf (Hammers of Misfortune, ex-Saros), bass-player Luca Indrio from Acephalix, and drummer  Adam Perry. Their five-song debut, Carnal Law, which was originally released as a demo, made quite the splash in 2011, delivering a filthy, crusty, punk-influenced take on death metal.

Yesterday I happened to see the artwork at the top of this post. It’s one of the latest creations by the uber-talented Paolo Girardi, whose work I follow closely (and have featured at NCS many times before). When he posted it on his Facebook page, it came with this notation: “VASTUMPATRICIDAL LUST (2012)”.

I’ve seen no other news that Vastum are planning on a new release this year, but that’s sure what Paolo Girardi’s artwork and explanatory note suggest. I really hope that’s what it means. If you’re unfamiliar with Vastum, Carnal Law can be streamed and purchased at Bandcamp (here), and you might want to give it a listen after the jump. Continue reading »