Aug 182024
 


Häxenzijrkell – photo by Sophia W

(written by Islander)

Two days ago I woke up with a burst blood vessel in one eye. The entire space in the sclera between the iris and the inner corner of the eye had turned a deep and solid red, as if some devil-worshiping artist had figured out how to photoshop the real me.

It doesn’t hurt, nor has it affected my vision, but it looks hideous. The Mayo Clinic’s website says this condition (a “subconjunctival hemorrhage”) will heal itself in a couple of weeks, as the conjunctiva slowly absorbs the blood over time. The same site lists potential causes, but none of them seem to fit my situation, unless I rubbed that eye really hard in my sleep.

For the sake of symmetry, I’ve wondered if there is a non-painful way to burst a blood vessel in the other eye. I thought if I played today’s selections of black metal extra-loud, that might do the trick. So far, no luck; a blown-out eardrum is more likely, but blood draining from the ear canal would also create a kind of symmetry, yes? Continue reading »

Sep 142023
 

For those of us who enjoy our weekly or daily descents into the black metal underground, discovering the existence of a new band whose line-up includes members of Dauþuz, Häxenzijrkell, Abythic, and Lunar Chalice is an intriguing development. For those of us familiar with the music of those other entities, nothing more is needed to kindle the desire to listen to what this new formation — Hagatiz — has created.

The allure is even stronger because the label (Amor Fati Productions) that will unveil the Hagatiz debut album Cursed to the Night on October 11th has such a strong track record in choosing what to release.

Of course, even die-hard fans of those other groups named above will want to hear what Hagatiz has done, because it’s not predictable. And for the die-hards, and everyone else, we have an early sign today through our premiere of the album track “Drown In Darkness“. Continue reading »

Mar 082022
 

 

I had a premiere scheduled for today that unexpectedly fell through, so I decided to scurry around and grab some new songs and videos for a round-up. The scurrying didn’t allow much time for writing, so you won’t find much of that here. I did try to create a genre-spread, because unlike me not everyone likes every formulation of metallic extremity. Have a listen, and pick your poison. (Some very good artwork in this collection too.)

COSMIC PUTREFACTION (Italy)

You’d know if someone slipped this poison into your drink, because it doesn’t go down easy. Prepare for churning, gut-punching, fret-leaping, brain-broiling death metal mayhem by a virtuoso practitioner (Gabriele Gramaglia, with help this time from drummer Giulio Galati). Continue reading »

Sep 062020
 

 

The “aggressive” sound of black metal — the blazing tremolo runs, the blasting drums, the shrieking and rasping vocals, the often abrasive levels of distortion — is one of the genre’s hallmarks. But black metal doesn’t always sound angry. Even when the aggressive sound is present and accounted for, the music can also seem dolorous, haunting, hysterical, or mystical (among other sensations). Today’s collection includes many of those other emotional touch-points — as well as fury.

NUBIVAGANT (Italy)

To begin, I’ve chosen two songs from Roaring Eye, the debut album by a one-person Italian project named Nubivagant. The album will draw attention because that one person is both Thorns and Omega, the drummer of Blut Aus Nord, Chaos Invocation, Enepsigos, Darvaza, Fides Inversa, and many other groups). Here, he performs all instruments, and he sings in a tenor voice. That’s right, these songs are exceptions to our rule, but well-earned ones because Omega really can sing. Continue reading »

Mar 252018
 

 

One benefit of Andy Synn’s new Waxing Lyrical series as a regular Saturday post at NCS is that it has freed me to do other things, since I no longer feel compelled to concoct something of my own on Saturdays. Most “normal” people might take advantage of the opportunity to indulge in slothfulness. It seems that my own “abnormality” instead leads to two-part SHADES OF BLACK posts on Sunday.

ALTAR OF PERVERSION

The most recent interview posted at the on-line edition of Bardo Methodology was an especially thought-provoking one, a discussion by proprietor Niklas Göransson with Calus, one of the two men behind the Italian black metal band Altar of Perversion. The on-line version of the interview is only an excerpt from a much longer and even more in-depth conversation in the print edition of Bardo Methodology #3, which I will be anxious to read when my copy arrives in the mail.

What I read on-line revived some of my own lines of thought about the intellectual and emotional inspirations and underpinnings of black metal, which I might finally decide to write about in the near future. But it also contains a fascinating segment on the audio frequency of 432 Hertz (referred to as “Pythagorean tuning” when applied to the tuning of musical instruments) and its connections to nature, as well as its numerical synchronicities with a host of ancient writings and esoteric teachings. Continue reading »

May 012016
 

Sea of Bones-Silent Transmissions

 

Most of the music in this Shades of Black series comes from the realms of black metal, but not all of it. Music can be black for other reasons as well, as demonstrated by the first of the four bands featured here.

This is a collection of songs that have been keeping me company in recent dark days. Until I decided to add the fourth band, I was going to call this Shades of Black — Long-Form Edition, because the songs by the first three bands are indeed much longer than average. They convincingly earn the extra minutes, and I hope you’ll carve out some space for them.

SEA OF BONES

As far as these selfish ears are concerned, far too much time has passed since New Haven’s Sea of Bones released their last album, The Earth Wants Us Dead. At last, we have something new. Continue reading »