Jan 202025
 

(written by Islander)

Welcome to the lucky 13th Part of this list. In line with my original plan of posting a new installment every weekday until January expires, I now have 9 Parts left to go. Out of line with previous years’ lists, I’ve already planned which songs to include in each of those remaining Parts, though I suspect I’ll still make revisions because my brain won’t stay still and it’s so fucking difficult to stare at all the worthy songs I haven’t made room for.

As for today’s installment (and most of the ones still to come), I have grouped the songs together because they include certain stylistic ingredients that I thought would fit them together well. But you’ll be the judge of that, of course. To see the songs in the preceding 12 Parts, use this link. Continue reading »

Dec 202024
 

 

(We’ve arrived at the final installment of DGR‘s Top 50 list for 2024, which has been unfolding day by day since Monday of this week. Now it’s time for the Top 10.)

Well this is it folks: the big kahuna, the final ten, the end of all ends, the great sandwich in the sky, the pothole to end all potholes, the grandest exercise in feet dragging you have ever seen, the golden egg, the sponsored award, the singularity of all fifty albums that we’ve been talking about over the course of the week, the grand conjuration, the comically oversized rabbit, the final ten…again.

I wish I had prepard a slightly bigger fanfare than this but it is really hard to explain to your local high school that you would like to borrow their marching band for an hour so you can film them playing as they walk by a camera for each album announcement. What I’m getting at here is this is it. After a week long rollout of the fifty albums I’ve enjoyed jamming the hell out of over the course of the year, we’ve accomplished reaching the end.

It’s been a hell of a thrill ride getting up to this point after all the mountains we’ve climbed, epic journeys we have undertaken, the critic-proofing we’ve had to participate in, the general explanations and explorations of gore, the occasional horror show, yet it never occurs to you just how much these things take out of you until you watch Part One of your list run on the website while you’re in the midst of writing up your final few albums for the last part. Needless to say, this fucker is probably coming in hot, so if these final summations (proclamations, conflagrations) of the albums that made my year-end list read like I was in the midst of being eaten alive, it’s probably because they’re a little more panicked than usual. Continue reading »

Jun 062024
 

(Andy Synn is far from indifferent to the new album from Hippotraktor, out tomorrow on Pelagic Records)

Contrary to popular belief, there is at least some method to our madness here at NCS.

I’ll grant you, said method mostly just amounts to us messaging each other back and forth going “do you want this… I can do it if you don’t have time… ok, you do that one instead…” but it’s a method that mostly/sort of/kinda works.

Case in point, my man DGR originally had Hippotraktor‘s new one pencilled in on his review queue but eventually yielded it to me when he realised that, with everything else going on, he just wouldn’t have time to give it the attention it deserved.

And since it was me who originally wrote about the band here, way back in 2021 when I reviewed their first album, it only made sense that I be the one to pick up the slack.

So let’s see how much the band have changed in the last three years, or whether they’ve just remained… in stasis.

Continue reading »

Oct 142021
 

(Andy Synn would like to introduce you to the debut album from Hippotraktor, out tomorrow on Pelagic Records, and invites you to leave your prejudices and preconceptions at the door)

I know that the post-Meshuggah breed of Metal bands can provoke some pretty divisive reactions around these parts. And I understand why.

After all, what initially seemed to be fresh and fertile soil for creativity and experimentation quickly became over-saturated with copycats and soundalikes whose music only seemed to grow increasingly sanitised, simplified, and mass-produced for mass-appeal with each successive generation.

But, let’s be honest, that’s the case for most, if not all, styles of music, to one extent or another, and just because the veritable deluge of Djent, Post-Djent, Proto-Djent, and Pseudo-Djent bands reached its saturation point in practically record time doesn’t mean you should dismiss any and all groups who elect to take inspiration from the works of Thordendal, Haake, et al.

I mean, it’s entirely up to you if you want to do that, sure, but you’re potentially robbing yourself of the chance to discover and enjoy a whole plethora of bands whose love of polyrhythmic groove and atmospheric melody transcends the trite tricks and tropes of their more djeneric peers.

Which brings us nicely to Meridian, the debut album from Belgium’s Hippotraktor.

Continue reading »