IN VAIN – SOLEMN

 Album Reviews  No Responses »
Apr 112024
 

(In Vain‘s is out next week, and Andy Synn decided it deserved an advance review)

Scores, huh? What are they good for?

Absolutely nothing… well, most of the time anyway.

Let’s face it, when so many sites/zines are giving out nothing but 8s and 9s out of 10 (and don’t get me started on the ones who seem to think that adding a decimal point somehow makes them look better) the whole idea of assigning an arbitrary rating to things has been rendered even more meaningless than it already was.

I get it though, writers don’t want to lose access to promos and interviews, and a flashy score and an equally splashy feature quote (more often than not using the word “masterpiece” so as to even further dilute its meaning/value) is a great way to get yourself featured in PR emails and social media posts.

But is any of it actually good for the fans, let alone the bands themselves? Wouldn’t it be better to actually focus on providing some useful insight and analysis and, yes, even some actual criticism, so that the readers (and prospective listeners) actually take something away from what you’ve written beyond just the rating at the end?

Well, let’s find out, shall we?

Continue reading »

WAXING LYRICAL: IN VAIN

 Interviews, WAXING LYRICAL  No Responses »
Mar 102018
 


Photo by Jørn Veberg

 

(Andy Synn continues our new regular Saturday series in which he discusses metal lyrics with bands whose music you should also get to know if you don’t already.)

 

For the second edition of “Waxing Lyrical” (and with a quick aside to say thank you to everyone who said kind things about the inaugural column last weekend) I’m speaking to Johnar Håland from Norwegian Prog-Metal sensations In Vain, whose new album was released at the end of January. Continue reading »

IN VAIN: “CURRENTS”

 Album Reviews, Exceptions to the Rule  6 Responses »
Jan 262018
 

 

(We present Andy Synn’s review of the new album by Norway’s In Vain, which is being released today by Indie Recordings.)

If you’ve been paying attention to the Metal blogosphere over the last few months, chances are that you’ll have stumbled across either (or both) of the new singles from Norwegian Prog-Metallers In Vain, released in advance of their new album Currents (out today on Indie Recordings).

What might surprise you, however, is the revelation that these two tracks are. arguably, the worst on the album. Continue reading »

SEEN AND HEARD BY DGR (PART 2): CYNIC, TYRANT OF DEATH, BENIGHTED, IN VAIN, BODY HARVEST

 Exceptions to the Rule, RANDOM FUCKING MUSIC  2 Responses »
Jan 212018
 


Robert Venosa: “Ayahuasca Dream”

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 1 is here; Part 3 will be presented on Monday.)

 

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve managed to the get ourselves into gear as our beloved musical genre has already offloaded numerous news bits upon us in the new year.

I, your ever-faithful servant, have also been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

AN NCS INTERVIEW: JOHNAR HÅLAND (IN VAIN)

 Interviews  1 Response »
Jul 292013
 

(About one month ago, NCS writer Andy Synn devoted the 37th edition of THE SYNN REPORT to the discography of Norwegian metal band In Vain [here], and now follows that up with an interview of Johnar Håland.)

Hello! So to start off, please, introduce yourself to our readers.

Hi. I’m Johnar, guitarist and songwriter of the Norwegian metal band In Vain. We have been around since 2003 and released our third album, Ænigma, in April this year.

 

In your own words, describe the In Vain sound, if you would!

We have labeled our music ‘Progressive Extreme Metal’. The term ‘extreme metal’, due to our  combination of Death and Black Metal. The term ‘progressive’ because we are open-minded musicians and incorporate a lot of non-metal elements into our music. In my opinion, progressive also means to evolve and not to be static and stick to one musical landscape. When I write songs I try to combine what I consider as the strengths in the various genres that I enjoy. From the start, In Vain has had a vision of trying to combine all these elements, without making the songs chaotic and non-cohesive. That makes us progressive in one sense I believe.

 

You would be considered one of, if not the main, In Vain songwriting force, correct?

That is correct. So far I have written all the songs. Continue reading »

THE SYNN REPORT, PART 37: IN VAIN

 THE SYNN REPORT  8 Responses »
Jun 242013
 

(In this 37th edition of THE SYNN REPORT, Andy reviews the discography of Norway’s In Vain.)

Recommended for fans of: Vintersorg, Swallow the Sun, Leprous

Picking bands for The Synn Report is a task unto itself (I don’t just throw darts at a board, despite what you might have heard). Many factors are involved: the genre of the band (I like to keep successive columns varied if I can), the size of their discography (basically how much am I prepared to write at any one time), and the current status of the band are just a few. I recently bumped Man Must Die up the list so as to coincide with their funding campaign for their next album, I pushed Ludicra up the list when they announced their dissolution, and the last edition was written purely because I’d been putting off writing about The Funeral Pyre for far too long!

In the case of Norwegian prog-metal mobsters In Vain, the band made it into contention purely because their latest album was just released earlier this year, and has been sitting in my “To Review” pile for far too long. So it seemed prudent to kill two birds with one stone and fold a sort-of-review of their latest release into the traditional format of The Synn Report! Continue reading »

INFERNO FESTIVAL – DAY TWO

 Concert Reviews  9 Responses »
Apr 042013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival, held on March 27-30, 2013, and brings us a multi-part report of what he saw and heard, along with photos. Check out the previous installments here and here.)

Day 2 of the festival had fewer bands I was particularly dying to see, so I decided to check out some different acts I’d never seen before, so as to make better use of my time and to fulfil my journalistic pretensions a bit more.

We decided to have a later start to the day, arriving in time to see Aeternus hit the stage and introduce the crowd (if any introduction was needed) to their twisted take on the darker side of the black/death metal aesthetic. Drawing liberally from all the various spheres of the metallic spectrum, the group performed like a well-drilled musical machine, though their focus on slippery shifts between styles meant that their live stage presence was a little more unassuming than most.

Though the band last played here 11 years ago, there was very little rust to be found on them, as they bled their instruments dry of every hypnotic riff and spiralling, dissonant lead they could wring out of them. Continue reading »