Apr 092015
 

 

(Andy Synn reports on the second day of Oslo’s Inferno Festival 2015 and provides photos.  For Andy’s report on the pre-fest show last Wednesday, go here, and his report on Day One is at this location.)

If there’s a better way to kick off another day at one of the world’s best metal festivals than by seeing Goatwhore, I’d like to hear it. Big riffs, big spikes, big attitude, the band positively ooze confidence and bleed metal, smashing through their set with almost reckless abandon.

Bassist James Harvey had a bit of a rough night, truth be told, early songs rendering his bass-lines as little more than a barely audible rumble, while snapping a string part way through the set forced the band to play a few songs without him entirely. Still, they persevered like the stalwart soldiers of Satan that they are, and on his eventual return Harvey’s lurching low-end was much more prominent. Continue reading »

Apr 082015
 

 

(Andy Synn reports on the first day of Oslo’s Inferno Festival 2015 and provides photos.  For Andy’s report on the pre-fest show last Wednesday, go here.)

The first day of the festival proper began (for me at least) promptly at 6:15 when Spellemann Award-winning Death Metallers Execration took the stage.

Down and dirty, with a hint of something creepy just beneath the surface, the band’s blending of rolling, Vader/Autopsy–style death-grooves, Behemoth/Watain-esque stomp and swagger, and touches of eerie, Morbid Angel-ish atmosphere – accentuated here and there by unexpected progressive touches, flashes of surprising technicality, and an undercurrent of lurching sludge – should, by all rights, be an awkward mix. Yet somehow they make it work, taking this amalgam of sounds and using it to whip up an absolute cacophony of ugly, unrepentant nastiness that’s also as infectious as sonic syphilis. Continue reading »

Apr 072015
 

Svartidauði

 (Andy Synn took in the sights and sounds of the Inferno Festival on April 1-4, 2015, in Oslo, Norway, and this is the first of a multi-part report about his experience. Andy took the photos as well.)

Once again last weekend I was lucky enough to be able to attend Inferno Festival in Oslo, which this year is celebrating its 15th Anniversary, with a frankly flabbergasting line-up of bands that could almost have been hand-picked for yours truly, including some of my absolute favourites as well as a number of bands I’ve been dying to see live.

For those of you who are unaware, the Wednesday night always serves as a pre-festival “Club Night” and kick-off party, with a variety of different bands playing at different locations scattered around in relatively close proximity to the main venue. With the right pass (which, thankfully, included my fancy pink “Press” wristband) you can wander freely between the different places, picking and choosing what artists you want to see.

I decided (for reasons which will become clear) to focus my activities around the new Vulkan arena, and particularly the smaller Pokalen bar down in the lower level… Continue reading »

Apr 052013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival, held on March 27-30, 2013, and brings us a multi-part report of what he saw and heard, along with photos. This is the final installment. Check out the three previous parts here.)

Well here we are, the final day of the festival. With fatigue setting in (wallet-fatigue as well as physical fatigue) this was also – fortunately or unfortunately, depending on how you chose to look at it – the day with the fewest bands who I really wanted to check out.

The first band of the evening I was lucky enough to see were underground black metal legends Hades Almighty (pictured above). Though the Norwegian triumvirate describe themselves on their website as “The heaviest black metal three-piece in the world”, after seeing them live I’m far more inclined to agree with the assessment of the immortal Metal-Archives and say that the group are more of a Progressive black metal band than they are a particularly heavy one.

Their distinctly old-school vibe is coloured and individuated by twisty-turny song-structures and liberal applications of atonal, semi-melodic riffs that strangely enough put me firmly in mind of American tech-thrashers Believer. Continue reading »

Apr 042013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival, held on March 27-30, 2013, and brings us a multi-part report of what he saw and heard, along with photos. Check out the previous installments here and here.)

Day 2 of the festival had fewer bands I was particularly dying to see, so I decided to check out some different acts I’d never seen before, so as to make better use of my time and to fulfil my journalistic pretensions a bit more.

We decided to have a later start to the day, arriving in time to see Aeternus hit the stage and introduce the crowd (if any introduction was needed) to their twisted take on the darker side of the black/death metal aesthetic. Drawing liberally from all the various spheres of the metallic spectrum, the group performed like a well-drilled musical machine, though their focus on slippery shifts between styles meant that their live stage presence was a little more unassuming than most.

Though the band last played here 11 years ago, there was very little rust to be found on them, as they bled their instruments dry of every hypnotic riff and spiralling, dissonant lead they could wring out of them. Continue reading »

Apr 032013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival, held on March 27-30, 2013, and brings us a multi-part report of what he saw and heard, along with photos. Check out his Opening Day report here.)

Kicking off the festival-proper at the early time of 17:30 Horned Almighty were like a veritable boot to the face of the assembled audience. Nasty, brutal, and brimming with feral punk aggression, the group come across as a bad-boy version of the Misfits, raised on black metal nihilism and death metal misanthropy, and kick up a hell of a racket, with a truly demolition-strength guitar tone. Material from across their four albums bulked out the set, with the strongest focus being on Contaminating The Divine and Necro Spirituals.

Frontman S. didn’t let the fact that the band were opening the festival proper intimidate him, spitting necrosadistic venom at the crowd with his spiteful, belligerent snarl, while the aptly-named Carnage on bass was a stalking, twisting revelation of spindly fingers and malevolent contortions. Give these guys a longer set and a bigger stage someone! Continue reading »

Apr 022013
 

(NCS writer Andy Synn has returned from Oslo’s Inferno Festival and brings us a multi-part report of what he saw and heard, beginning with this post. More will follow in the days to come.)

So here’s how Inferno Festival works… though the event itself is a three-day affair situated at Rockefeller/John Dee, there’s an opening day on the Wednesday featuring an array of bands performing at a series of different venues around the city.

For the first time this year I was officially accredited as “Press” for the event, meaning I was invited to the Opening Party at the Rockefeller lounge, which kicked things off just before the various bars and clubs started the evening’s festivities. I have to say that I definitely appreciated the free beer (a rather bitter, but ultimately rather nice, Norwegian brown ale called Nøgne Ø) and free food on offer, as well as the opportunity to mingle with other attendees (hello to Liz and Lewis, if you’re reading this) and stalk various band members.

The party itself also had a couple of presentations explaining and extolling the history of Inferno and its connections with the Oslo metal scene and with the Indian metal scene with which it has steadily been building a relationship. Continue reading »

Jan 052012
 

Over the last couple of months, Norway’s INFERNO Metal Festival has been dribbling out the names of the bands who will be performing over the Black Easter weekend in Oslo on April 4-7.  I hadn’t checked the line-up since before the holidays, but I just did. Makes me fucking sick . . . because I’m here and Oslo is there and never the twain shall meet, or at least there will be no meeting this April. Because I would dearly love to see this show, but it ain’t happening.

Let’s just consider the headlining band — Arcturus. Now that’s a band I would like to see. They seem to have achieved a kind of cult status in Europe with an avant-garde take on black metal. They broke up in 2007, but reunited last year under the leadership of ICX Vortex for an anticipated appearance at the ProgPower USA festival — which never came to pass. Assuming they actually follow through at the Inferno fest, it would be their first festival appearance in five years.

But that’s just for starters. Look at the rest of that line-up! And it could get worse: There’s an Inferno “kick off” show on January 28 at the John Dee Club in Oslo (with performances by Vesen, TrollFest, Bulk, and Dead Trooper) at which the final festival line-up will be announced — which means more bands will probably be added.

If you’re going to this festival in April, do me a favor and keep that to yourself.  And don’t tell me about the line-ups for the other European festivals that have started rolling out for the coming spring and summer.