Jul 082021
 

 

(A couple months ago we published (here) a “dirty black summer” playlist compiled and written by Neill Jameson (Krieg, Poison Blood), and now we’re happy that he’s followed that with a second installment of recommendations for your summer listening, presented below.)

Normally for me summer means a change of listening habits to old Swedish death metal, Danzig I-IV, and early Queens of the Stone Age, but this year’s been a little different; seasonal listening hasn’t really come into play for me in the way that it has in years past. I understand there’s a bit of a stigma attached to the idea of seasonal listening anyway but that’s the sort of shit boring people with boring existences have to come up with to shit on people with richer emotional lives. Anyway, if you’ve got a moment here’s another list of things I’m listening to.

You’ll see a batch of Death Kvlt Productions releases in nearly any list I put together these days, which I understand can be a little frustrating if you’re into owning physical releases since the label tends to sell out within minutes only to be flipped to kids who won’t actually listen to the fucking records but post pictures of them incessantly on their social media feeds, almost like a roadmap to letting people know they’re assholes without actually getting to know them, saving everyone a lot of time. Continue reading »

Dec 302018
 

 

Here we are, nearing the end of that strange seven-day period that begins with the Christmas holiday and ends with New Year’s Day, when many of us have more lazy free time than usual but also experience something like sensory overload from an onslaught of family, friends, food, drink, commercialized excess everywhere you turn, and the looming dread of a new year beginning with a return to jobs and no more holiday reprieves on the visible horizon. It can be both a joyous time of year and a depressing one, more of the former than the latter if you’re lucky, but with both conditions defined with greater intensity than the plodding progression of a normal week.

Even as odd and disorienting as this annual occurrence usually is, the one we’re in the midst of now has struck me as even more bewildering, even comically so, from my perspective as an obsessive fan of extreme music with a compulsion to share recommendations. On that front at least, things are supposed to slow down, with fewer albums being released (given the likelihood they’ll be overlooked against the background froth of so many other holiday diversions) and something of a pause in the promotional activity around albums slated for release in the new year, including the debut of new songs. And while that has in fact happened to a degree, it’s been a smaller degree than usual, especially in the genres of music that are the focus of this column. Continue reading »