Feb 242014
 

Happy fucking Monday. Blech, it really hurt to write that. Here are some recommended tunes and videos I heard and saw over the last 24 hours, most of them on a day that wasn’t a fucking Monday.

INSOMNIUM

This first item falls into the category of breaking news:  Century Media has just announced details about the new album from Finland’s Insomnium, along with a teaser of the music. The album’s title is Shadows of the Dying Sun, and the cover art is at the top of this post. It will be released on April 29 in North America and April 28 in Europe.

The teaser is brief — 1:23 of new music. It consists of chiming guitars against a backdrop of ghostly ambience. It feels like the lead-in to some monstrous doomy riffs — but that could just be wishful thinking on my part. More wishful thinking: I would like to have this album today instead of two months from now. Undoubtedly advance tracks will be released. Undoubtedly we will have them here as quickly as we see them.

Check out the teaser next. Continue reading »

Feb 082014
 

Welcome to Part 23 of our list of 2013’s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. To see the selections that preceded the three songs I’m announcing today, click here.

Today’s three songs have something in common. Although the bands don’t all fit neatly together under precisely the same genre heading, to varying degrees the music falls in a place where doom, melodic death metal, and a melancholy aching intersect.

ENSHINE

This Swedish/French collective put out their debut album Origin in 2013, and DGR reviewed it for us here. In an effort to capture its sense of devastating beauty, he wrote this:

“I know I am going to like a disc like this if it takes me to a certain place I have set aside in my head, one of empty spaces, snow falling from the sky, long-since devastated cities. Places that you just know were beautiful long ago, and the sense of fragility that these vacant places emanates makes them beautiful now….  Origin takes us to that snow-filled, cold, and desolate place where we sometimes long to be and lets us sit and watch the world move as it speaks to us.”

Continue reading »

Dec 292013
 

Here’s a status update that appeared on the Facebook page of Finland’s Insomnium today (emphasis added):

We’ve now recorded rhythm guitars for 5 songs. In addition to Marshall+EVH combo we’re also using Mesa Single Rectifier and my seven stringed Mayones to add some more depth and fatness to the sound. The new material is definitely more varied than before. For example, we’re flirting a bit with death/black metal vibe with some of the songs. Nevertheless, everything sounds very much like Insomnium and I guess that’s mainly due to our “trademark” melodies. We’re splitting rhythm parts pretty much equally with Markus and also try out different guitar arrangements as we go. All in all, the mood is very relaxed and we’re making good progress without too much pressure and stress.

-Ville”

Aw hell yes.   Continue reading »

Sep 202013
 

(DGR reviews the forthcoming four-song EP by Finland’s Insomnium.)

This seems insane to say, but it has already been two years since the release of Insomnium’s latest disc One For Sorrow. It’s a sentiment that I know I’m guilty of expressing all the time, but One For Sorrow, like most Insomnium releases for me, still remains as good on recent spins as it did the first time I experienced the whole thing. The band have experienced lineup shifts in that time, which is another crazy thing because Insomnium maintained a relatively stable lineup until 2011, when Omnium Gatherum guitarist Markus Vanhala joined the band. Due to the timing of his enlistment, we actually haven’t heard anything the man had to contribute to the band until now, with the release of Insomnium’s new EP Ephemeral.

It’s hard to tell based on this new release what the musical future will look like for the band. With each previous disc, Insomnium have managed to shift their sound just enough that the only two persistent unifying themes have been that the music will be melancholic and poetic, and you can usually expect a slower, more progressive form of melodic death metal. “Ephemeral” is an entirely different beast though, a surprising song released by a band known largely for their creation of atmosphere and constant citation of poetry within the lyrics. Despite it sounding like an Insomnium tune, with many recognizable traces of the band’s established style,  it still manages to feel like a huge change for the group.

“Ephemeral”, bluntly put, is Insomnium writing one of the catchiest songs they’ve ever written. They’re not really known for writing super-catchy tunes, especially in a very blatant pop format. Instead, they tend to favor sweeping gestures and the occasional sing-worthy chorus. “Ephemeral” feels strange because it’s ridiculously up-tempo compared to what fans of the band have become used to and it’s remarkably ethereal, much in the same way that Omnium Gatherum’s recent release Beyond was. Continue reading »

Sep 192013
 

Today Finland’s mighty Insomnium have premiered a new song named “Ephemeral” via a lyric video. The song will eventually appear on the band’s next album, which is projected for release in 2014 by Century Media. The song includes, for the first time, the contributions of new guitarist Markus Vanhala (also in Omnium Gatherum), who replaced Ville Vänni in 2011.

The single will be released digitally on September 23 in Europe and will include, as bonuses, three acoustic tracks that appeared in the background of the latest Insomnium documentary DVD.

“Ephemeral” is recognizably Insomnium, though it’s more fast-paced and less melancholy in its tone than what might be thought of as the band’s classic sound. Yet the song is powerful, memorable, inspirational, and the lyrics are far more eloquent than most metal songs offer. Listen next: Continue reading »

Sep 062012
 

(Our UK-based writer Andy Synn made the trek to Germany for this year’s edition of the SUMMER BREEZE festival, and provided us with a review of the bands whose performances he witnessed.  We’ve divided the review into two parts. In this post, Andy covers the festival’s first two days, and tomorrow we’ll have his impressions of Day 3. We’ve also collected videos of many of the performances at the end of the post.)

So… German festivals go Thursday – Saturday, not Friday – Sunday… who knew? Well apparently everyone else in the world except for us, when we booked an overnight stay in Cologne on the Wednesday night! Still, Cologne was awesome, and only a mere four hours drive away…

Anyway, on reaching the site (after a desperate last minute rush to the petrol station – seriously, make sure you fill up before you reach the Dinkelsbuhl exit guys and gals!) we joined a surprising, infuriating, queue of cars, followed by an interminable security check… time was ticking away and Be’lakor (one of my primary reasons for going to the festival) would soon be taking the stage! So with some slightly rushed stunt driving (I’m pretty certain I went down that grass verge as much sideways as I did forwards) and a breathless scramble… we made it. Just.

DAY 1

Justifying our desperate, occasionally slightly risky, efforts to get to the festival on time, Be’lakor were undeniably awesome. Live, the Agallochian overtones of the music come through a lot more, a melding of misty melancholy with swells of oceanic heaviness giving the band a more distinctive and individual live presence. The group’s image is a little difficult to reconcile with the music though, encompassing a host of short haircuts, laid-back Australian accents, and inappropriate t-shirts! Shame on you guys!

The next band I was dying to see also happened to be one of my favourites, my loyalty to Darkest Hour forcing me to choose them in an unfortunate clash with Glorior Belli. And though it pained me to do so, I’m glad I did. Darkest Hour never disappoint, their punky, hyper-energetic take on melodic death metal fitting perfectly with the blazing sunshine and free-wheeling atmosphere of the festival. Plus, I was still yet to see them live with either the new material or the new line-up, and both absolutely killed it live. Continue reading »

Mar 222012
 

I’m just taking a short break from slaving away at my fucking day job . . . just long enough to tell you that TERRORIZER just premiered brand new videos from Insomnium and Paradise Lost in advance of their UK tour next month, the poster for which you can see above.

The Insomnium video is for “Regain the Fire” from One For Sorrow. The Paradise Lost video is for “Honesty In Death” from their new album Tragic Idol.

To see these videos, go past the jump. I haven’t even seen them yet, so please let me know what you think so that I will know what to think when I watch them during my next momentary break from my fucking day job.

Thank you for your service. Continue reading »

Dec 302011
 

This is Part 5 of our list of the most infectious extreme metal songs released this year. Each day until the list is finished, I’m posting two songs that made the cut. For more details about what this list is all about and how it was compiled, read the Introduction via this link. To see the selections that preceded this one, click the Category link on the right side of the page called MOST INFECTIOUS SONGS-2011.

It’s no secret that we have a special aFINNity for Finnish metal at NCS, and the two songs that are the subject of today’s feature are from Finnish bands who’ve made their own distinctive marks in the genre of melodic death metal. Both Insomnium and Omnium Gatherum released wonderful albums this year, both of which were loaded with powerful, memorable songs. The hard part was not deciding whether to include these two bands on this list. The hard part was deciding which of many appealing songs on those albums should be included.

Insomnium’s album One For Sorrow made many of the “Best of 2011” lists we’ve published over the last few weeks, and Andy Synn hit the nail on the head when he summed up the album this way in his NCS review: “A poignant reminder of love and loss, and the pain of those left behind. An emblem of grief that cannot, yet somehow must, be borne, and of the strength we find within ourselves to carry on. Through all the tears shed in silence, for all the rage and sadness, One For Sorrow is at its heart an album of meditative melancholy and strength not yet subdued. Grace under pressure. Happiness and heartache in equal measure. One for sorrow, two for joy.”

Insomnium have a gift for writing songs that intricately combine power, immersive atmospherics, and irresistibly infectious melodies. Particularly because of Niilo Sevänen’s incredible harsh roars (among the best in the business), Insomnium continue to create that pairing of beauty and the beast that make their melancholy take on melodic death metal so enticing. Continue reading »

Dec 162011
 

(This is the last installment in Andy Synn’s week-long series of posts looking back at albums released this year. Andy previously provided his lists of the year’s Great albumsthe Good ones, and the most Disappointing ones, as well as his list of “The Critical Top 10″. For more explanation of what all this means, plus Andy’s picks for the year’s best EPs, visit this location.)

So here we are, the last list of Andy Synn Week (maybe not the official title, but give me something here guys). Here you will find the ten albums that have made the biggest impact on me personally, the ones which make the most frequent appearance on my playlist. Rarely a day goes by without me listening to at least one of these albums, often several times.

You will note that, in contrast to last year, all my favourite albums this year are drawn from my “Great” list. For once, this is definitely coincidental; it just so happens that as I was paring down my overall list of favourite albums to a mere ten entries, I was left solely with albums that I believe are personally, as well as critically, my absolute favourites. It also covers a whole spectrum of albums, some released right back at the very beginning of the year, reaching all the way up to extremely recent releases, so it also serves as a reasonably comprehensive list in terms of the time-frame it covers!

There’s some minor cross-over with yesterday’s list, as some albums were always bound to be both critically and personally fulfilling, but largely you’ll find here a cross-section of my musical preferences from the year. Each album comes with a short explanation of why I love it; not necessarily why it’s the “Best” album of the year, but just why it clicks with me personally. Continue reading »

Dec 142011
 

(One of the best things about operating NCS is the chance to make connections with metal-lovers from around the world. Because of our frequent focus on Finnish metal, I’ve made a connection with “fireangel“, one of the two creators of a very informative and entertaining Finland-based blog called Night Elves. I invited fireangel to write a post for our year-end Listmania, and here it is.)

Islander kindly invited me to share my favourites of 2011, knowing full well that my taste oscillates between “No Clean Singing“ and more often its mirror image, “No! Clean Singing!”, as it was so nicely put in the 2-Year-Anniversary-post, and that my suggestions would make a better fit with “Exceptions To The Rule” than the NCS Rule itself. Nevertheless, he thought he could live with that, so maybe you can, too. Even though this post is written by one person, it includes the musical favourites of both Night Elves.

I selected some songs that work as my personal pick-me-up for plenty of situations – feeling tired, sleepless, moody, etc – and can convert me into a decent citizen, at least for a limited time.

In order to test the boundaries even more, this post also includes songs that are not necessarily from 2011, but I listened to them on quite heavy rotation in this year. Continue reading »