Dec 312019
 


Akos Fulop cracks his whip during the New Year’s Eve celebrations in Kecskemet, Hungary, Tuesday, Dec. 31, 2019 when shepherds, horseherds and story-tellers wave farewell to the year 2019 with singing and whipcracking. (photo by Sandor Ujvari/MTI via AP)

 

Ii won’t say this is becoming a tradition because I can’t remember if I did it before last year at this time and I’m too fuckin’ lazy to find out and who knows if I’ll still be alive this time next year? But anyway, for at least the second annum in a row I’ve decided to end the NCS year with a playlist of music and then roll into the New Year with another one tomorrow.

I feel pretty comfortable that I’ll be able to write the one for New Year’s Day in the morning because, once again, I’m planning a quiet new Year’s Eve at home with my wife. After more than a few decades of severe misbehavior, the idea of a quiet night and a New Year’s Day without a cataclysmic hangover has become very appealing. No more January 1 mornings wondering, “Is the blood on my shirt mine?”, “Whose room is this?”, and “Where did I leave my pants?”

For these SEEN AND HEARD round-ups I usually pick from the songs I’ve added most recently to the list of new music to check out (a list I update nearly every day). But this time I decided to do something different. Continue reading »

Feb 062018
 

 

“Once more unto the breach, dear friends… when the blast of war blows in our ears, then imitate the action of the tiger; stiffen the sinews, summon up the blood, disguise fair nature with hard-favour’d rage….”

And I do have some raging metal in this third installment of today’s new-music round-up. Furthermore, despite how much savage new stuff I’ve launched at your earholes today, I have one final installment planned. And now, cry “Havok!” and let slip the dogs of war.

RUST

To begin Part 3 of this round-up I’ve chosen “Windumanouth“, a track from Urstoff, which is the debut album of the Italian black/death band Rust. It will be released in the spring of this year by Dusktone, which characterizes the music as “magical, evocative and enchanting work, as well as tragic, apocalyptic, cruel, painful, fatal, nefarious, violent and deadly….” With one possible exception, I wouldn’t quarrel with any of those adjectives. Continue reading »