Nov 082011
 

EDITOR’S NOTE: Our first guest post of today is an interview conducted by Stephen Parker, the talented guitarist of Oregon’s Arkhum. I’m a big fan of Arkhum and have written about them multiple times at NCS, including this fairly recent post. The subject of Stephen’s interview is Jason William Walton. He’s probably best known as the long-running bass player for Agalloch (another big NCS favorite and still one of the best live bands I’ve ever seen) but his musical resume is a long one. In addition to playing bass for Sculptured, Nothing, and Celestial, he has also played with Self Spiller, Especially Likely Sloth, and a half-dozen other bands that I know of. He’s also the owner and operator of a recording and production studio called Audio Savant. I’m really grateful to Stephen for landing this interview for us, and of course quite grateful to Jason Walton for participating.

SP: First of all, I’d like to thank you for answering these retardedly repetetive questions. I can understand that life has you pretty busy right now, but I genuinely appreciate you taking the time for this.

JW: Of course. I enjoy doing interviews from time to time, and it has been a while.

SW: I’d just like to jump into some business. How are things going with Audio Savant Studios? I know you recently relocated, so has that played a part in a lull, or has it really mattered?

JW: I have had a lull in business over the last year, but it has nothing to do with location, and everything to do with time. I do expect a couple projects coming up this fall and winter, but I have had less work this year than usual. Plus, Agalloch touring has taken precedence over Audio Savant. It is always a balancing act. In 2012 I hope to refocus my energy on Audio Savant.

SW: From all of the reviews I’ve seen, it seems like Marrow was widely regarded as “fantastic.” I remember even seeing it on Tom Gabriel’s list of the best of 2011 in Decibel. Do you think you’ve achieved a better response to this album, compared to Ashes Against the Grain or The Mantle?

JW: I don’t think it is fair to say a better response, but it has undoubtedly been very positive. Way more positive than we had anticipated. Each of our albums receives negative and positive feedback, and for different reasons and Marrow of the Spirit has been no different. I think it may appear that we are getting a better response for this album, but I also think we are more in ‘the public eye’ this last year than we have been in quite some time. I think if you asked the average Agalloch fan what their favorite album was, most people would still say The Mantle.  (more after the jump . . .) Continue reading »

Aug 202010
 

We first stumbled across an unsigned Oregon band called Arkhum about six weeks ago. We were intrigued by the striking cover art for a yet-to-be-released album and included the band in one of our occasional EYE-CATCHERS features (here). At that time, the only music we had available to us were rough mixes of two songs for the forthcoming album and an earlier 2009 track. But those three songs certainly grabbed our attention in  a big way.

Much has happened to Arkhum in those six weeks. Today, the band officially releases its debut album, Anno Universum, and we can now report that they have been signed by the Vendlus Records label (home to such talented bands as Agalloch and Wolves in the Throne Room), which will begin distributing the album worldwide later this fall.

Arkhum was kind enough to give us an advance copy of the eight songs on Anno Universum and we’re happy to report that our earlier instincts about the band have proven to be correct: Anno Universum is stunning — one of the best debuts we’ve heard in 2010.

We got so excited about the music that we pestered Arkhum for an interview, and brothers Stephen and Kenneth Parker patiently answered our meandering questions. In the post immediately below this one, you can read that interview, which turned out to be pretty damned interesting.

In this post, we’ll try to explain why Anno Universum has made such a strong impression on us and why we think you’ll be hearing lots more about Arkhum in the months to come.  (more after the jump, including a song from the new album . . .) Continue reading »

Jul 022010
 

Yes, it’s time again for another installment in our irregular “Eye-Catchers” series. In case you’ve forgotten, this is both an ongoing experiment and a vehicle for discovering new music. The experiment is designed to test the completely illogical hypothesis that cool album art tends to correlate with cool music. There’s really no reason why the two should go together, but in our experience, they do go together more often than not.

Of course, our experience is completely random and anecdotal, with no statistical significance behind it at all, and undoubtedly the day will come when we’ll see a cool cover and then run for the vomitorium after we start listening to the tunes. But since we started this experiment back in April, most of our test cases have validated the hypothesis.

This experiment also provides a way for us to explore new music that we otherwise might not discover. We see eye-catching album art, and based on nothing but that, we go listen to the music.

As we explained in an earlier post, as a way of picking new music, it’s like throwing a dart at a dartboard or putting a quarter in a slot machine and pulling the handle. It makes no logical sense, except there’s so much new music from so many new bands out in the world that randomization sometimes seems as good a way as any to make choices.

Today we’ve got two test cases — two bands we had never heard before. The first one is a band from Poitiers, France, called Klone. They recently released their third full-length album, Black Days, on Season of Mist. The album cover is at the top of this post.

The second one is an unsigned band from Oregon called Arkhum, and they’re on the verge of releasing their first album, Anno Universum, in August.

How did these bands fare in our Eye-Catchers test? Read on after the jump to find out (and, for your trouble, we’ll have some music for you to hear . . .) Continue reading »