Mar 252025
 

(written by Islander)

Searching through our site’s vast archive, I confirmed what I knew, which is that I’ve been following and writing about the musical activities of the cellist Kakophonix (Christopher Edward Brown) for a long time — since the fall of 2017, to be precise.

Over these last 7+ years, most of the attention has been paid to the Kakophonix solo project Hvile I Kaos (articles collected here), most recently in the context of premiering and reviewing the album Lower Order Manifestations, released last summer by Eisenwald and House of Inkantation. However, I and others here at NCS have also covered songs and records by other bands and performers in which Kakophonix performed as a guest musician (and there have been many of those).

As I explained in that album premiere last summer, Kakophonix has decided to lay Hvile I Kaos to rest; Lower Order Manifestations was the final work of that project, whose music Kakophonix labeled as “Cellistic Black Metal” or “Black Ritual Chamber Musick.” Although closing that book, however, Kakophonix has begun a new chapter under a new name — Opus Est Sanare — and has shared with us this “Mission Statement” for the new endeavor: Continue reading »

Jun 222020
 

 

During these last few months of covid lockdowns and social distancing, playthrough videos have proliferated like wildflowers in the spring, as ways for musicians to burn off some pent-up energy and to remind us that their bands still exist, even though they haven’t been able to gig and tour. The videos have not all been of equal quality, nor have they been uniformly interesting. And to be honest, we’ve resisted overtures to premiere playthrough videos, preferring to continue concentrating on new music rather than performances of songs that have been out in the world for a while.

But this video premiere is one we couldn’t resist.

In the first place, the subject is “Black Waves“, a tremendously good song from an album all of us here liked A LOT — Abigail Williams‘ 2019 album Walk Beyond the Dark (and you can and should read Andy Synn‘s review of it if you haven’t yet delved into the record).

And in the second place, the play-through is performed by cellist Kakophonix, whose contributions to the album were a significant factor in building the moments of haunting grandeur and epic atmosphere within the record, and it’s fascinating to watch and hear his performance. Continue reading »