Jan 142022
 

Welcome to the eighth installment of this expanding list. You’ll find the preceding Parts (and an explanation of what this list is all about) through THIS LINK.

This trio of tracks may seem a bit odd, since it includes something from a band whose name is known by throngs across the globe and then two tracks by bands who are probably known to the average NCS visitor but whose profiles are ant-like in comparison to that of the opening band. In my own addled head, what unites these songs is that all three furnish riveting dramatic intensity, and of course they’re all damned memorable.

GOJIRA (France)

It may surprise some of you to know that we used to write about Gojira a lot. It may also surprise you to learn that the most popular post in the history of this site, based on its 32,074 page views (at last count), is one entitled “Why Gojira is the Best Metal Band in the World“, which was written in August 2010 by one of the people who started NCS with me (but fairly quickly lost interest). As a sign of his devotion, his body sports tattoos of imagery from the Gojira song “Vacuity”. Continue reading »

Jan 062022
 

 

(Comrade Aleks delivered to us this interview of the German artist Noise, who is the man behind both Kanonenfieber and Leiþa, and a project named Impious. Due to no fault of Aleks or Noise, we allowed more than a month to go by before publishing it — but reading it now (and listening to the music) makes for a very good way to help begin the New Year.)

Black /death metal one-man band Kanonenfieber, which is focused on themes of World War I, and the depressive black metal project Leiþa have common origins – both are based in Bamberg, Bavaria and both are run by Noise. He launched Kanonenfieber’s first full-length Menschenmühle in February 2021 and Leiþa’s Sisyphus followed it in June 2021. It’s not just cool furious outbursts of anger and desperation but two very different works with very different stories behind them. And I’m glad what we managed to do this interview with Noise, which is here for you to read. Continue reading »

Mar 292021
 

(Our man Andy Synn has been busy recently, but not too busy to help catch us up with a bevy of new (or new-ish) albums from the first quarter of 2021)

We’re now at the end of March and I can officially say that the stream of new releases, re-releases, and surprise releases, has finally gotten the better of me and I have fallen well behind on my “to review” list.

Sacrifices will, inevitably, have to be made, and some things I intended to write about will either have to wait until an opening appears in my schedule somewhere down the line or, in the worst case scenario, have to be content with appearing in one of my year-end round-ups.

But I’m not going to give in to the inevitable without a fight, which is why, in a desperate effort to provide some interesting coverage, commentary, and – in some cases – criticism about a bunch of records (some dating back to January, some only just about to hit the streets) I’ve decided to pen a few thoughts about six different albums – three Death Metal, three Black Metal – which I’ve been meaning to write about for quite some time.

So, without further ado…

Continue reading »

Feb 282021
 

 

I won’t repeat what I wrote yesterday (fucking day job… electrodynamic particle accelerator… last hurrah…). Suffice to say I don’t have much time for NCS at the moment, or for the next couple of weeks, so today’s SOB is briefer than usual. But still good, of course, like a delicious appetizer that a djinn materializes to drop off and then vanishes, leaving you to forage for the rest of the meal yourself.

MONTE PENUMBRA (Portugal/Iceland)

My oh my, how my eyes brightened last week when I saw that Monte Penumbra had returned. I confess I had forgotten to check for news about this project with the passage of time. After all, it has been roughly five years since their last release, a 2016 EP named The Black Realm Vigil, and even longer since their first album, Heirloom of Sullen Fall (2013). But the music isn’t easily forgotten, hence the gleam of brightness in my puffy bloodshot eyes. Continue reading »