SHADES OF BLACK: SLEEPWALKER, HANTERNOZ, KASSAD, ULVEHYRDE, THANATOMASS, BLACK CEREMONIAL KULT, STWORZ

 SHADES OF BLACK  2 Responses »
Mar 212021
 

 

I guess it’s usually true that I try to put a lot of variety into these Sunday columns, but today’s selections seem to be even more divergent than usual. As a result, I had a devil of a time figuring out how to arrange the tracks, and I don’t think I succeeded in creating any kind of rational flow, probably because all the songs resist that. However, I do think I succeeded in creating a whiplash effect at the end, so there’s that.

There’s only one full release to be found here. The rest are either singles or advance tracks from forthcoming records. Enjoy!

夢遊病者 (SLEEPWALKER) (Russia, Japan, U.S.)

I decided to begin with the most head-spinning track of everything you’ll find here. Although my head has been spun around before by the escapades of this multi-national avant-garde collective, they’ve really outdone themselves this time. Continue reading »

SEEN AND HEARD: RUSSIAN CIRCLES, KASSAD, BEYOND GRACE, PHANTOM HYMN, GOATBURNER

 Metal News, RANDOM FUCKING MUSIC  4 Responses »
Jul 022019
 

 

Surprise! After a busy June in which I was only able to complete four of these round-ups over the entire month, I’ve now finished two, back to back, in just the first two days of July. One must make hay while the sun shines, although in my case I treat that proverb as less of a command than a suggestion, and one that I don’t follow much more often than “why do today what you can put off until tomorrow”.

As in the case of yesterday’s post, I’ve culled these selections to provide variety, in the hope of appealing to a range of tastes, and mixing at least one widely known name with others that should be better known and still others that are brand new.

RUSSIAN CIRCLES

“Milano” is the name of the second advance track from this powerhouse instrumental trio’s new album Blood Year, which will be released on August 2nd by Sargent House. As compared to previous releases, the album is billed as “Russian Circles at their most brutalising”, “fully embrac[ing] the most forceful aspects of the band’s repertoire”, in which “blissful respites and ebbs of calm are fewer and farther between”. Continue reading »

SHADES OF BLACK (PART 2): AORATAS, KASSAD, PANDEMONIUM, KEISER, SEMINARY, CAFFA

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Feb 132017
 

 

This is Part 2 of a post I started yesterday and decided to divide because I kind of went overboard with the volume of music. As I explained yesterday, this 2-parter includes streams of two full albums, three full EPs, two singles (I added one since yesterday), and advance tracks from two forthcoming releases. And lots of my words, of course. In the middle, I’ve spliced one very exciting piece of news… which comes first today.

AORATAS

On Friday, Debemur Morti Productions announced that Naas Alcameth, the mastermind behind Nightbringer and Akhlys, has joined the label with a new project named Aoratas, and an album that will be released later this year.

The announcement included a statement by Naas Alcameth that I’m just going to quote in full. I trust I don’t need to explain why this is newsworthy, but if an explanation is needed, I’d simply point you to the stream of The Dreaming I, which I’ve included below the statement. Continue reading »

SHADES OF BLACK: MANTAR, GERM, GRAVDAL, NOX FORMULAE, KASSAD, DISSVARTH

 Album Reviews, RANDOM FUCKING MUSIC, SHADES OF BLACK, SHORT BUT SWEET  5 Responses »
Feb 152016
 

Mantar-Ode To the Flame

 

I had originally planned to post this yesterday, to make the Sabbath blacker, but didn’t quite get it finished. I’ve collected five new songs from forthcoming albums and a brief review of an EP released last month. The songs are stylistically diverse — in fact, this is one of those installments of this column where not all of the music is even going to fit the broadest definitions of black metal — yet there is a shared “depressive” quality among many of the songs (and I use the term in a genre sense). And of course I found everything very good and very memorable and hope you’ll enjoy it, too.

MANTAR

As I’ve previously written, Mantar’s new album Ode To the Flame is one of my most eagerly anticipated releases of 2016, both because I thoroughly enjoyed their debut album Death By Burning and because I was so blown away by their live performance at last year’s Maryland Deathfest. A few days ago we got our first full glimpse of the new album via the premiere of a song called “Era Borealis“. Continue reading »