Apr 272017
 

 

(We welcome Neill Jameson (Krieg) back to our site, who in this post recommends music by some of the more obscure U.S. black metal bands, mainly from the ’90s — some of whom have new releases in the works.)

This past weekend was the Decibel Metal & Beer Fest, and while I was proving to the world I can’t hold my liquor I ran into some people like Austin Lunn who can actually carry on the kind of conversation about black metal that gives me pause, and also the motivation to do something like this. I also ran into a few old friends who were a part of the burgeoning ’90s US black metal scene, members of bands that I find criminally underrated.

Between that and all the talk about what “USBM” should and shouldn’t be, I figured I’d talk a bit about bands that are from a time where Antifa wasn’t throwing smoke bombs into apolitical shows or bands didn’t get name-dropped on Chris Brown’s vest. Continue reading »

Mar 072017
 

 

Well, for those of you who actually pay attention to such things, I obviously failed to post Part 2 of this week’s SHADES OF BLACK column, which I began (here) on Sunday and said I would continue on Monday. And in the meantime, of course, more new metal in a blackened vein has appeared, and it happened to be new music that I really like. So I’ve adjusted my plans (i.e., I’m making this up as I go along so what else is new).

Part 1 of this feature included full album streams, and my intent for the original Part 2 was to focus on individual advance tracks I’d picked from forthcoming albums. I still intend to do that, except that has become Part 3. What I’m doing here is focusing on the new tracks that grabbed my attention yesterday.

ENSNARED

I’ve been very curious to hear Dysangelium, which is the debut album of Sweden’s Ensnared. Dysangelium will be jointly released by Invictus Productions and Dark Descent on May 12. The first track, which debuted yesterday, is very promising. Its name is “Apostles of Dismay“. Continue reading »

Dec 122016
 

Neill Jameson

 

(We’re happy that for another year Neill Jameson (Krieg) succumbed to our entreaties to share with us a year-end list of metal.)

2016 has been a strange year. Not just in terms of the cultural shifts that occurred, or the copious amounts of deaths in the arts community, or even Antifa stepping over the line and using violence towards bystanders. It’s also been an unusually shitty year for a lot of our private lives as well, it seems. We weren’t able to make it a week without news that our friends were burying someone or worse, we were planning a funeral ourselves. But this time of the year is one bound by tradition so I’m back for my yearly review of music released in 2016 that you need to check out.

For me personally I didn’t buy a lot of new records this year. I don’t have any excuse, really, I just spent more time digging into older records or following some of my favorites without really checking out anything truly new this year. Did I miss out? Probably, but I don’t really care. I also tried to use only Bandcamp links where I could so that you actually buy some of this, instead of putting it on a YouTube playlist, which’ll lose its atmosphere when you can’t skip ads for Valtrex. Continue reading »

Sep 122016
 

Krieg-Photo by Hillarie Jason

 

(Neill Jameson (Krieg) returns to our site with a further installment in his series on black metal from years past. Some real gems are collected here, and others can be found in his previous installments located behind this link.)

Without much need for exposition since this is my fifth time doing this subject, I guess all I really can say is I don’t understand why these records sit with some dust on them when so much other nonsense gets lavished with praise. It’s probably my taste and inability to think positive thoughts, but that seems like some shit for my therapist. So without further hold-ups, here’s a few more black metal records that I feel should have some light shed on them. Continue reading »

Sep 012016
 

Neill Jameson

 

EDITOR’S FOREWORD: We’ve had a few posts over the nearly 7 years of our existence that have focused on works of literature, but very damned few. That’s not shocking, because this is first and foremost a blog about music. But for some musicians who dare to talk about it, and for many ardent fans, there are connections between these two forms of art.

Beyond those connections, some of you (maybe even the majority of those who visit this putrid site) spend as much time reading for pleasure as you do battering yourselves with violent sounds. For those in that group, and for those who are open to finding new inspiration, we bring you a very different kind of list from Neill Jameson of Krieg. I selfishly hope this will spawn both comments on this post and more features on our site about written works of art that dovetail with our interests in metal.

Our thanks to Neill for the following words: Continue reading »

Aug 302016
 

Neill Jameson

 

(We’re happy to report that Neill Jameson (Krieg) has returned to his series on black metal from years long past, adding a fourth part to the first three (which are collected behind this link). And he still hasn’t exhausted the subject, so if you continue to support this project as you already have, maybe we can convince him to keep going with it.)

 

I’ve decided to come back to the idea of black metal records and bands that flew under the radar or were well known during their time but have gotten a bit of dust on them over the years as people go for bands in witch hats or whatever the fuck they’re using now. It’s probably something I could do a dozen pieces on, honestly, just by listening to shitty tapes of the radio show I did in the ’90s/early ’00s. I guess it all depends on who gets sick of it first; you, the fine folks at NCS, or me.

My money is on one of the first two. Continue reading »

Aug 252016
 

Neill Jameson

 

(Neill Jameson (Krieg) joins us again with another compilation of recommended music, this time focusing on some metal releases that don’t easily fit into established genre definitions. To check out the other playlists Neill has brought us, they’re collected here.) 

Listening to the new Urfaust that’s coming out shortly really got me to thinking a bit, which doesn’t happen too often. The subject of the hamster wheel turning in my head was bands that fall outside of a specific subgenre but are still in the metal realm. Outsider metal I suppose. Bands that are still just as dark and carry the same emotional weight but can’t be stuck inside “black” or “death” metal strictly, probably in academic “nerd” terms or whatever you’re calling them in the comments section of popular metal sites you claim not to read. Anyway, a few of them came to mind which I wanted to share, so I’m sitting in my office writing this as a proper way to avoid reality for a bit, much like these bands are also a proper way to accomplish the same thing. Continue reading »

Aug 132016
 

Migration Fest poster

 

Here I am on a gorgeous Saturday morning in Olympia, Washington, still pinching myself to make sure what I’ve been experiencing isn’t some kind of fantasy (or more likely, incipient dementia). Yesterday was the first day of Migration Fest, and the night before that was the unofficial start of the party with a three-band pre-fest show. In a nutshell, it’s been an absolute blast so far. More words (and amateurish photos) to follow.

This is, of course, the first edition of what by all rights should become a never-ending tradition, a labor of love jointly organized by Adam at Gilead Media and Dave at 20 Buck Spin, with support from a whole bunch of their tireless friends and family members. They assembled a stellar line-up of bands, and based on what I’ve seen so far (at least from a fan perspective), they’ve been executing on the plan like a well-oiled machine. Continue reading »

Aug 082016
 

Neill Jameson

 

(Krieg’s Neill Jameson recently completed a very well-read three-part NCS series on obscure black metal from the ’90s (collected behind this link), and now he returns to our site with a different kind of mixtape.)

Even though we’re still in the middle of the season where your chances of getting skin cancer AND being irritated at all times is still going strong, I’m attempting to be forward-thinking. Thus to take my mind off the heat, I’ve decided to write about miserable and morose music this time around. I figure if places are trying to shove pumpkin beer up our asses in the middle of summer then I might as well shove some gloomy music up whatever orifice you prefer. I’m trying to be considerate.

As some of these artists have wildly varying styles across recordings I’m just going to hone in on one specific one per, but the majority of these fine and well-adjusted folks have a lengthy resume to choose from, so don’t just take my preference as gospel, which I’m sure no one does anyway. Continue reading »

Aug 012016
 

Krieg-Photo by Hillarie Jason

 

(Neill Jameson (Krieg) returns with the third installment of a three-part post devoted to under-the-radar black metal releases worthy of greater attention. You can find Part 1 here and Part 2 here.)

One thing I’ve come to realize while doing this series is my mix tapes in the late ’90s were fucking great and anyone who was forced to drive with me during those times should start a kickstarter to throw me a parade. The other thing I’ve realized is how fortunate I was to come up at a time when all this was actually happening and not a footnote in some elderly man’s rantings twenty years later. The emphasis on performing music you were passionate about versus the current metal scene’s (sometimes) inane need for innovation meant that while you might be getting three dozen variations on the same Darkthrone or Emperor songs, at least they still possessed something special.

The conversation around black metal at the time was easier to digest, too, since it was basically all based on a form of honesty that isn’t really around any more, and there wasn’t someone standing up on a soap box because they were offended you owned a Burzum record. While I value the deeper intellectualism that the contemporary era can bring, it also has its shortcomings, especially in people’s perceptions.

Anyway, this is the final piece of my three-part black metal series. My list is obviously far from complete and I may revisit it someday, but for now here’s six more: Continue reading »