Aug 152024
 

(Andy Synn provides three more recommendations for some home-grown British brutality)

I must apologise for my relative lack of writing/posting over the last couple of weeks – I’ve been pretty busy with a combination of personal, professional, and musical stuff (we’ve got a festival show coming up, for one thing, which will be our first time playing as a three-piece, and then spent all Tuesday this week hanging out at a local brewery and helping out with the creation of a signature beer for the band) which means I haven’t had as much time, or energy, to devote to NCS as usual.

But while I’ve not been able to write very much that hasn’t stopped me from listening… and today’s triptych of album reviews is a product of all that time spent sifting through all the musical chaff to pick out the real diamonds in the rough.

Which may be a mixed metaphor, but I’m running with it all the same.

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Feb 022022
 

(Andy Synn once again turns his attention to a trilogy of new albums from the UK)

It’s kind of weird being part of the UK Metal scene… but also somewhat apart from the UK Metal scene.

On the one hand, it means I don’t always get to know what’s going on, who’s popular, or which artists/albums I should be covering.

On the other… it’s also kind of freeing precisely because means there’s no one telling me who or what I should be writing about (for whatever reason) and no pressure to try and fit in with the crowd.

So while today’s edition of “The Best of British” covers a good mix of styles – Sludge, Hardcore, Death Metal – and runs the gamut from the relatively unknown to “the next big thing”, the truth is that, as much as I like to think I have a positive impact, these articles aren’t really written for “the scene”. Or even for the bands themselves.

No, they’re written for our readers, first and foremost. Because there’s a lot of really good Metal coming out of the UK these days, and I don’t want them to miss it!

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