Dec 022011
 

November is done, and the countdown begins to the end of 2011 and he beginning of the New Year. We’ve been so focused this week on the year behind us, since 2011 Listmania is now in full swing, that we almost forgot that there is a future, and it will be filled with metal.

So, here’s the deal:  In these METAL IN THE FORGE posts, we collect news blurbs and press releases we’ve seen over the last month (November) about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album before November, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier.

This month’s list begins right after the jump. As usual, this list is half-assed rather than comprehensive. So, feel free to leave Comments and tell all of us what we missed when we put this list together. Let us know about albums on the way that  you’re stoked about! Continue reading »

Nov 272011
 

Here we have three one-man projects, one recently signed to a major label and the others unsigned, and all of them worth a listen: Liberteer (California), Amputation Spree (North Carolina), and Morgh (Pennsylvania).

LIBERTEER

Liberteer is the creation of SoCal resident Matt Widener, a former Marine, a former member of Exhumed, and the bass player for Cretin. Widener’s previous solo project was called Citizen. Earlier this month, Relapse Records announced that it had signed Liberteer and will be releasing the band’s debut album, Better To Die On Your Feet Than Live On Your Knees, on January 31, 2012. Widener had these comments about the Liberteer project:

“My thoughts on politics slowly changed over the past six years. In Citizen I had a sense of outrage about our government, but because it still supported the idea of state, it doesn’t make much sense to me now. I’ve come to embrace the ideas of anarchy. The old band name, Citizen, represents a system of exclusion and nationalism, things I can’t stand now, so I had to rename the band and change a lot of things. I think the good things about the music are still there—the thematic, major-key riffs, the d-beats and blasts—but the message is now pure.

“The album is one long song, with a handful of the coolest riffs reappearing as leitmotifs, like a pissed off opera made of blasts and d-beats. It’s utterly relentless. Plus, there’s a training montage at the halfway point.”

Seeing this in a press release was enough to pique my interest. I’m particularly curious about the “training montage”. But what sealed the deal was listening to the title track. Continue reading »