Jul 112019
 

 

Lifetime Shitlist confronted a significant challenge in following up their deceptively titled 2017 album, Slow March, but that was no one’s fault but their own. As we recounted in a review accompanying the stream premiere of that record, “Slow March will punch you in the kidneys and treat your head like a piece of sheetrock ready for the nail gun, but man, it’s a ton of battering fun — the kind of fun that leaves you with loose teeth the next morning and the kind of bruising that goes beyond black and blue and into that shade of yellow that makes you queasy to look at it”.

How would these Baltimore brawlers be able to exceed, or even match, the pure viscerally appealing momentum of that album? As bleak and bludgeoning as the songs often were, the riffs and crowbar-hard grooves were lined with razor-sharp hooks. Every song was catchy, every one of them made you want to move. Most of them might also have made you want to body-check the person next to you.

We’re beginning to get the answers to these questions. They’ve got a new album set up for release on August 16th through Grimoire Records, once again recording it with label boss Noel Mueller (who also mixed and mastered it). This one is more accurately named Bad Blood. Not long ago The Obelisk premiered the title track, which is a massive neck-wrecker — part punk anthem, part psychoactive squall, part pile-driving pavement-buster — and now we’ve got another track to reveal. This new one is named “Not Yet“. Continue reading »

Aug 152017
 

 

With a name like Lifetime Shitlist and song titles on their new EP such as “Beach of Death”, “Infestation”, and “Death Rattle”, you don’t expect this band to make music that feels like a warm hug and a shoulder to cry on. And sure enough, Slow March will punch you in the kidneys and treat your head like a piece of sheetrock ready for the nail gun. But man, it’s a ton of battering fun — the kind of fun that leaves you with loose teeth the next morning and the kind of bruising that goes beyond black and blue and into that shade of yellow that makes you queasy to look at it.

Slow March manifests some changes from this Baltimore band’s last album, Pneumaticon, including a new vocalist (Ned Westrick), a new second guitarist (Corey Fleming), and an evolution in their sound. For the new EP they also tracked the drums, the bass, and the rhythm guitars live in the studio of Grimoire Records on a single April Saturday, with the vocals added the next day. The gods of the mosh pit must have been smiling on that weekend. Continue reading »