Feb 242025
 

(Andy Synn bows down before the new album from Light Dweller, out this Friday on Avantgarde Music)

It’s pretty well documented by now that, generally, I prefer “bands” over solo projects.

There’s just something about the magic that happens when you get a group of musicians together and they start to bounce ideas off of each other, introducing an element of randomness and quantum chaos as they feed on each other’s energy, which seems to produce (in my opinion anyway) more interesting results.

But the work of Cameron Boesch, aka Light Dweller, has always been an exception to this particular “rule”, as he’s developed such a distinctive creative voice over the years  weaving together bits and pieces of Immolation and Ulcerate, Krallice and Gorguts, and beyond, that there’s never any fear of his work falling afoul of stock tropes and standard clichés.

2022’s Lucid Offering in particular stood out as easily his magnum opus, striking a brilliant balance between atmosphere and dissonance, introspection and aggression, that was always going to be hard enough to replicate, let alone surpass.

Which I suppose begs the question… what do you do when you’ve reached the top of your particular, personal mountain? Where the heck do you go from there?

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Jun 202022
 

(Andy Synn kicks off a new week with the nasty new album from Light Dweller)

Over the years I have developed a bit of healthy scepticism when it comes to solo artists or “one man bands”.

That’s not to say I actively dislike them, by any means, it’s just that – generally speaking – I find that the collaborative process between band members tends to be more fruitful and fulfilling than simply having a single individual do all the work (often without anyone around them to curb their worst excesses).

There are, of course, many examples of where relying on an individual auteur actually produces amazing results – whether that person is working totally on their own or simply serving as the chief/main songwriter for a band – but it really comes down to a question of whether they have not just the creative vision but also the drive and talent to bring it to fruition.

And, make no mistake about it, Cameron Boesch (aka Light Dweller) has all of these things in abundance, as his latest – and greatest – album demonstrates.

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Mar 282020
 

 

Thanks to the amazing Zoom service, I participated in a couple of virtual happy-hour celebrations last night, woke up woozy as a result of that, and then had to do a work-related Zoom conference for an hour and a half this morning. So I’m getting a very late start on this post.

I thought about just not posting anything this Saturday due to the lateness of the hour and my still-hungover condition, but then remembered this recent comment by a regular reader: “Especially now, when days morph into each other and life has slowed down considerably – and we have time to think about perhaps less pleasant facets to our lives – structure and regularity are important. New music, to me at least, is an important element to this….” I feel the same way. And so I decided to at least make a brief start on another giant collection of new music, and then finish it in a MUCH larger Part 2 of this tomorrow.

KREATOR (Germany)

I was helpless to resist beginning this collection with “666-World Divided“. It’s such a blood-pumping, neck-wrecking blast to listen to, with wonderfully vicious vocals, a glorious chorus (that puts me in mind of Scandinavian melodic death metal), delicious soloing, and a segue into very sinister territory with choral voices. The video for the song is also a blast to watch. Continue reading »