(Andy Synn sets out once more to explore the post-genre hybrid of Limbs)
The bitter truth is that, no matter how dedicated and conscientious you are about trying to keep up with new releases, you’re always going to miss stuff.
Heck, there are albums which have gone on to become all-time favourites of mine that I didn’t get around to hearing until months, sometimes years, after their original release, and bands I’ve been fans of ever since they started who I didn’t realise had something new out until they announced they were working on their next record.
Thankfully, however, I’m only a little late to the party when it comes to Everything Under Heaven, the recently-released third album from Manila-based trio Limbs.