Sep 252024
 

(written by Islander)

“You forget what you want to remember, and you remember what you want to forget. That is how memory works. Pain and suffering etch themselves onto your soul, while joy seems to be a fleeting whisper you can barely hold onto. It is this paradox of memory that haunts us all, leaving us to wonder what we are, what we were, and what we might become.”
— The Road by Cormac McCarthy

“I stand beneath the open sky, at the setting of the sun. The still waters stretch before me to the distant horizon and the clouds drift slowly across the vast canvas of the sky – a brilliant blending of deepest blues, rich purples, vivid red and warm orange. Yet for all the open vista, the space and freedom, I am trapped; suffocating in a labyrinth of black desperation. The cold walls of insurmountable sorrows and confusion contain me and I am imprisoned by past scars that have become infected, poisoned by the cruel, slow venoms of grief, loss and guilt. I built this maze, but I have long since forgotten the way to freedom…”
— Marche Funèbre

I probably could have left those two quotations and moved right along, without further embellishment, to the premiere stream of Marche Funèbre‘s new album After the Storm (set for release by Ardua Music on September 27th) that we’re hosting today. I had the second one already. Purely by coincidence, I saw the first one shared on social media just as I was finalizing this premiere article. It’s from a devastating and unforgettable work by the late Mr. McCarthy, and seemed entirely suitable to the experience of the album, which is itself often devastating — and I suspect will be very hard to forget as time passes.

On the other hand, those quotations could also be a bit misleading, because it turns out that After the Storm is as vibrant and as heart-pounding as it is heart-aching. Continue reading »

Oct 262020
 

 

(Here’s Comrade Aleks‘ interview with drummer Dennis Lefebvre of the Belgian band Marche Funèbre, whose new album Einderlicht was jointly released on September 25th by Hypnotic Dirge Records, Solitude Productions, and The Vinyl Division.)

We did an interview here with Belgian Marche Funèbre about a year ago. Back then they had new EP, Death Wish Woman (released on October 14th), a tour, and a lot of fun… Now the band has a new full-length album Einderlicht and no gigs at all.

I think it was a matter of luck that Marche Funèbre got finished in time and managed to record the album with Markus Stock at his Klagschmiede Studio in February 2020 before actual shit started to hit the fan. But well, we’ve completed quite a good interview with the band’s drummer Dennis Lefebvre, and I welcome you to read it. Another portion of good and fair doom death doesn’t hurt anyone. Continue reading »

Jul 312020
 

 

From album to album the Belgian band Marche Funèbre have marched from strength to further strength, becoming more assured in their songwriting and more expansive in their incorporation of varying ingredients into their core musical framework of doom and death. Through three albums and a small group of shorter works dating back to 2009, they’ve proven their ability to intertwine crushing heaviness, gloomy moods, up-tempo intensity, and distinctive melodies — and to make full use of the striking versatility of Arne Vandenhoeck‘s voice.

What is also evident, and pleasing to fans who have been following Marche Funèbre from the beginning, is that they have evolved, stretching their talents to come up with new and increasingly powerful ways of standing out from the pack of doom/death bands that surround them — not radical revisions, to be sure, but natural changes that suit and strengthen the myriad appeals of their creations.

It is perhaps a measure of the self-confidence that has accumulated over more than a decade of working together that Marche Funèbre have chosen the longest track from their new hour-long album Einderlicht to introduce the record to the public. That song, “When All Is Said“, is the one we’re premiering today through a lyric video in advance of the album’s joint release on September 25th by Hypnotic Dirge RecordsSolitude Productions, and The Vinyl Division. Continue reading »

Oct 112019
 

 

(Comrade Aleks has been a busy interviewer, and we have his second one in as many days, with this conversation he had with members of the Belgian doom-death metal band Marche Funèbre.)

Marche Funèbre is one of representatives of Old World doom death scene who shows good stability, releasing strong works and naturally progressing from album to album. Their debut To Drown (2011) wasn’t an album of the year, but their development on Roots Of Grief (2013) is something you couldn’t miss. Since 2017 they’ve continue to work at a good pace: a third full-length, Into The Arms Of Darkness appeared in 2017, followed by splits with A Thousand Sufferings (2017) and Eye Of Solitude (2018), alongside killer EP Death Wish Woman (2018).

Marche Funèbre is one of the very rare European bands who managed to play a tour in the USA, and as they performed a gig in my home city of Saint Petersburg less than two weeks ago, I saw it as a right time to interview them. Arne Vandenhoeck (vocals), with some help from Kurt Blommé (guitars), are ready to tell a few things about doom, death, and being happy in misery. Continue reading »

Jan 032019
 

 

(We present a 2018 year-end list by NCS contributor Grant Skelton, which consists of 15 miserable, mutilating, and mesmerizing titles, not all of which are metal.)

Salutations fellow metalheads! My choices this year were a bit more of a mixed bag than in previous years. Per our usual MO here at No Clean Singing, I tried to focus on bands whose albums seemed to slip into the proverbial cracks. I hope you find something you like here, and by all means leave me recommendations in the comments. Continue reading »

Sep 132018
 

 

When my NCS comrade Andy Synn made the Belgian band Marche Funèbre the subject of his 44th Synn Report almost five years ago, reviewing their debut EP and first two albums, he recommended them for fans of My Dying Bride, Eye of Solitude, and early Paradise Lost. He wrote: “Desolate and depressive, ominous and oppressive, their often lengthy, drawn out songs are simultaneously draining and invigorating – at times they hit with instant impact, at others they build slowly and insidiously, insinuating themselves into the darkest corners of your mind.”

Since then the band have released one more album, 2017’s Into the Arms of Darkness, and a pair of splits. And now, to celebrate their tenth year of life as a band, Marche Funèbre have recorded a new four-song EP that will be released on October 14th by GrimmDistribution and Cimmerian Shade Recordings. Death Wish Woman is its name, and what you’re about to hear is its title track — and if you’ve never heard this band before, you’re in for an electrifying surprise. You might be in for an electrifying surprise even if you have heard their music before. Continue reading »

Jan 272017
 

 

(Today we present the premiere of a video and song from the Belgian band Marche Funebre, and Grant Skelton provides the following introduction.)

Belgian death/doom band Marche Funèbre (a name presumably derived from the Chopin composition of the same name) will release their new album Into The Arms Of Darkness on February 20, 2017 via Moscow Funeral League. Into The Arms Of Darkness was produced by Markus ‘Schwadorf’ Stock. The creepy, nightmarish cover art was created by Brooke Shaden Photography.

No Clean Singing is proud to present an exclusive premiere of a video for the album’s first advance track, entitled “Lullaby Of Insanity.” Continue reading »

Feb 242014
 

photo by Wout Muyldermans

(Andy Synn delivers the 44th installment in this series, reviewing the discography of Belgium’s Marche Funèbre.)

Recommended for fans of: My Dying Bride, Eye of Solitude, (early) Paradise Lost

Doom – any form of doom, from groaning cadaverous crawl to crushing melodic melancholia – isn’t really a genre I’ve touched on all that much in The Synn Report. Oh sure, there’ve been a couple of bands that flirt with doomy atmospherics and haunting ambience, but (as far as I can recall) no one who’s really been a full on Doom Metal act.

Well it’s time to change that.

Hailing from Antwerp, Belgium, Marche Funèbre deal in a form of downcast, depressive Death/Doom which shifts seamlessly between a funereal march and a thunderous death metal gallop, accented by frail threads of plaintive clean vocals and searing flashes of majestic lead guitar.

Desolate and depressive, ominous and oppressive, their often lengthy, drawn out songs are simultaneously draining and invigorating – at times they hit with instant impact, at others they build slowly and insidiously, insinuating themselves into the darkest corners of your mind. Continue reading »