Sep 082017
 

 

Time to confuse people… again. I’m speaking mainly of newcomers who take our site’s name literally and view divergences from it as some kind of fraud or traitorous misconduct, when in fact we’ve always disclosed that we would make exceptions to our rule, rare though they may be, when they’re well-earned. And Mindkult is a well-earned exception.

This band, the alter ego of a Virginia solo artist whose moniker is Fowst, first grabbed my attention more than a year ago when I heard (and wrote about) a single named “Witch’s Oath” that later became part of an EP bearing the same name. Later that same year Mindkult released an excellent two-track single consisting of Misfits covers, but all of this proved to be prelude to the main show — a debut album named Lucifer’s Dream, which Transcending Obscurity Records will release on September 20. Continue reading »

Jun 212016
 

Mindkult-Witch's Oath

 

I had an amazing listening experience last night. I compiled a list of new music I thought might be worth hearing, drawing upon messages that had arrived at the NCS compound via our intrepid pigeon aeronauts and links I had spotted in my Facebook news feed. And then I plowed through them — and found one gem after another, with nary a single meh reaction from start to finish. Perhaps equally remarkable, I had never heard of any of the bands before (I was interested in a journey of exploration, which is why I assembled the list as I did).

Not wishing to leave behind any of the songs I heard, I’ve divided these recommendations into two parts, which have become Parts 2 and 3 of today’s Seen and Heard feature, following DGR’s post earlier today.

MINDKULT

This first song is an exception to our Rule — there are no harsh vocals in it at all, and I thought the clean vocals were quite appealing. They remind me of someone I’ve heard before, but I’ve had trouble placing the resemblance. Yet what really hooked me about the song is the guitar performance; it’s essentially one long, terrifically good guitar solo anchored by a couple of compelling central riffs. Continue reading »