Jul 072010
 

On July 5, we tried a little experiment. Indulging in the same kind of presumptuousness that motivates people to tweet about their latest meal or the last time they washed their underwear, we just described the music we’d randomly checked out that morning — whether it was good, bad, or indifferent. None of the bands was known to us, and we didn’t actually like everything we found, but we wrote about all of it anyway — just because that’s what we heard.

A few readers actually seemed to like the idea, and we’re desperate for approval, so we’ll do it again. But not today. Today, we’re doing something that’s a little more focused and we’re exercising a bit more judgment. But in a way, this post started just as impulsively as the one on July 5.

We were over at Steff Metal‘s blog and got into a sick mixtape she had created (here), the subject of which was music with an ancient Egyptian theme (though not played by bands from Egypt). That got us to thinking (always a dangerous pastime) and we realized that we knew very damned little about Egyptian metal bands.

So, we started exploring, and the path we wandered hooked us up not only with some really good Egyptian metal, but also with metal from some other North African countries — Tunisia and Morocco, to be precise. We found enough interesting shit that we’re dividing this post into three parts: One band today (Scarab) and the next three over the two following days.

To be clear, we’re not pretending this is some kind of authoritative survey. We didn’t do in-depth research, and we didn’t listen to dozens of bands and then selectively whittle down the group. We’re way too half-assed for that. We just jumped into the fast-moving current of the internet and waited to see where we’d be washed up on shore.

And by sheer chance, we wound up with a little bit of everything — some death metal, some oriental black metal, and some progressive/folk metal — but what we found was awesome. So open your minds and your ears and we’ll show you what we found.  (beginning after the jump, of course . . .) Continue reading »