Aug 252014
 


Azoic at Eistnaflug

(Gemma Alexander is a Seattle-based writer and NCS fan who visited Iceland in the fall of 2012 during the Iceland Airwaves festival and was generous enough to send us interviews with such bands as AngistBeneathKontinuumSólstafirGone Postal, and Skálmöld. In July of this year she returned to Iceland for the Eistnaflug metal and rock festival (“Eistnaflug” being Icelandic for “flying testicles”), and we are once again the beneficiary of her writing. Today we present Part 1 of a three-part report on the festival, illustrated with Gemma’s own photos. Visit her own excellent blog here and check out more of her reporting on the festival at KEXP’s web site.)

 

When I arrived in the remote fjord town of Neskaupstadur, I was determined to catch as many of the nearly 50 bands as possible. But a late night drinking with new friends and a breakfast that may have included beer interfered with my good intentions. Although the first band on Thursday didn’t take the stage until almost 3 p.m., I missed them.

The first band I did see was Azoic. With Ragnar (Raggi) Sverisson on the drums, I expected great things, and got them. What I didn’t get was vocals – it was an entirely instrumental set.

I ran into Raggi later and he explained that the set was all new music, and they hadn’t finished the lyrics yet. Okay, that’s one choice. Azoic’s 2012 Gateways can be found here: Continue reading »

Nov 192012
 

EDITOR’S NOTE: Seattle-based writer and NCS reader Gemma Alexander happens to be a fan and student of all things Icelandic. After months of planning, Gemma journeyed to Iceland in late October to see the country, and she timed her visit to coincide with the Iceland Airwaves festival, which includes over 420 bands playing all over Reykjavík for five days, plus 400 more unofficial, off-venue performances.

Though Airwaves may be best known as an indie pop fest, it also includes performances by an impressive array of Icelandic metal bands. Knowing of NCS’ own appreciation for Icelandic metal and the attention we’ve paid to Icelandic bands this year, Gemma offered to arrange interviews with several of them. We previously posted her interview of Angist, and today we’re privileged to give you Gemma’s interview of two of the members of Beneath, whose killer debut album was released earlier this year by Unique Leader (featured at NCS here).

Gemma has also been blogging about her entire Icelandic vacation — and it’s wonderful. Do yourself a favor and check it out HERE. And now, here’s Gemma’s interview — with some Beneath death metal at the end.

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Beneath is fairly new, but the musicians behind the name are some of the heaviest hitters in Icelandic metal. Fronted by Gísli Sigmundsson of the historic Sororicide, with Unnar Sigurðsson of Ophidian I fame on guitar, and with drums provided by Atrum’s Ragnar Sverisson, Beneath came out swinging in 2009, winning Iceland’s first Wacken Metal Battle. An EP followed in 2010, with their first full-length, Enslaved by Fear, released this July. Needless to say, all of the usual metaphors involving blunt force trauma apply.

I was fortunate to meet with Gísli and Ragnar at Dillon Whiskey Bar in Reykjavík before the Iceland Airwaves festival. We talked about the band, their music, and the state of Icelandic heavy metal. Continue reading »

Oct 242012
 

Here’s another round-up of things I saw and heard over the last 24 hours that I didn’t have room to include in yesterday afternoon’s post (the one that included new offerings from Aeon, Tardive Dyskinesia, and Zubrowska): New videos from Hellish Outcast (Norway) and Rwake (U.S.), new Paolo Girardi artwork and bittersweet news about Blasphemophagher (Italy), and a new song from Momentum (Iceland).

HELLISH OUTCAST

Please tell me you already know about this band.  If you can’t tell me that, then please read Andy Synn’s review of their 2012 album, Your God Will Bleed. It included such gems as this:

“Not only do Hellish Outcast not do black metal, they also don’t do nice. Or comfortable. Or anything less aggressive than a rabid pit-bull that’s been force-fed a diet of sand and barbed wire. In fact, this album is so damned aggressive, so utterly hate-filled, that it should come with a warning label along the lines of:

Danger – the levels of testosterone and aggression on this album could cause permanent damage to your underlying genetic structure.”

Or maybe you read Andy’s review and skipped the music because you wished to preserve your current genetic structure. If so, then you’ll probably want to skip Hellish Outcast’s brand new official video for “Djinn”. Since I already have a mutated genetic structure, I dived right in.

Fuckin’ love this song, from the skin-flaying death/thrash start straight through to the infernal melodic slow-down at the end. Video accompaniment is live performance footage from the Inferno Fest, edited by the band’s vocalist Thebon (Keep of Kalessin).  Prepare to be mutated. Continue reading »