GONZO’S HEAVY ROUNDUP, FEBRUARY 2025

 Album Reviews  No Responses »
Mar 052025
 

(In this column our Denver-based friend Gonzo brings forward five albums of varied kinds of heaviness for your consideration, all of them released in February.)

Well, February came and went, and I’m still catching up on the absolute onslaught of heavy music that emerged from it – hence the noticeable delay in putting this column together.

Alas, shit happens. I’m still recovering from last night’s Cavalera show here in Denver, in which the eponymous brothers Max and Igor led their band through a crushingly heavy Schizophrenia set that was played at breakneck speed. Even the Chaos A.D. encore cranked up the BPM. And just before they were ready to call it a night, they hauled none other than Jello Biafra on stage for a downright cathartic cover of “Nazi Punks Fuck Off,” except “Punks” was replaced with “Trumps.”

In place of a politically charged tirade of my own, I’ll just lazily approve the above with a “fuck yes” stamp of approval and carry on.

Anyway, here’s some music you should listen to that came out last month. Continue reading »

MORAST: “FENTANYL”

 Album Reviews  1 Response »
Feb 112025
 

(Below you will find Wil Cifer‘s review of a new album by the German black metal band Morast, which was released last week by Ván Records.)

I have an odd relationship with Black Metal. If you asked me what my favorite sub-genre of metal is I would have to say Black Metal. The caveat here is certain types. This German band Morast certainly captures what my type is.

When most people think of Black Metal they think of blast beats, tremolo-picked guitar, and the production quality of a room mic in a dank dungeon. That is the sound that bores me to death. It also feels odd that a genre dedicated to misanthropy and non-conformity to mainstream metal trends would repeatedly follow a formula because “that’s how Black Metal should sound”.

Morast do a wonderful job capturing the needed worship of darkness and misery to make me smile — anguish as depressive black metal. Yet they paint a sonic picture of a junkie’s despair in a manner we have not seen done with this kind of authenticity since mid-2000s Nachtmystium. Continue reading »

SHADES OF BLACK (PART 2): MORAST, ANTIMONUMENT, ISKALDE MORKET, DUSKSEEKER, BEZDECH

 SHADES OF BLACK  3 Responses »
Jul 042021
 

 

Happy Fourth to all of you in the U.S. Hope you have something worth celebrating, even if it’s mainly the chance to safely commingle in the flesh with people you haven’t seen in a while. As usual on a Sunday, I’m celebrating the discovery of new dire, dismal, demented, and demolishing blackened sounds.

In Part 1 of this thing yesterday I focused on a handful of individual tracks. Today, with some help, I’ve selected a group of full releases — most of which pay little homage to ancestral Scandinavian second-wave black metal. Like yesterday I’ve mostly kept my commentary briefer than usual. I’ve got other tasks ahead of me today, though they won’t include cookouts, fireworks, or drowning in beer.

MORAST (Germany)

I’m bookending this collection with recommendations from starkweather‘s Rennie, beginning with Morast’s new 7″ EP, The Palingenesis, which was released on May 21st by Ván Records/Totenmusik. Continue reading »

SEEN AND HEARD (PART 3): SORDIDE, MORAST

 Metal News, RANDOM FUCKING MUSIC  No Responses »
May 272021
 

 

And now we come to the third and final Part of today’s new-music roundup. If you’ve been following along, you know that Part 1 consisted of music from two doom bands and Part 2 corralled songs from two death metal bands. And so perhaps it’s predictable that I’ve got two black metal bands in this final installment.

SORDIDE (France)

I hope Sordide’s new album Les Idées Blanches has been on your radar. I’ve done what I can to help that happen, having previously written in glowing terms about its first advance track, “Je n’ai nul pays”. And now that a second track has emerged, I’d like to continue the drumbeat. Continue reading »

SHADES OF BLACK: FERNDAL, MYSTAGOS, HYPNOS, MORAST, ERDVE, MISERY, EDEN WEINT IM GRAB

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  10 Responses »
Feb 082017
 

 

Those of you impeccably tasteful metal aficionados who follow my Shades of Black posts know that I was too incapacitated to get one done for last Sunday. So I’m doing one now, although none of the songs collected here was included in what I planned to write about for last Sunday. I discovered all of these since then. I do still plan to complete the write-up I had originally conceived, perhaps later this week or at least for this coming Sunday.

FERNDAL

Yesterday, I was reminded about a German label named Einheit Produktionen by seeing their release schedule for the spring. I would have discovered these plans sooner if I’d been paying closer attention to our daily e-mail flood.

In April, Einheit will be discharging the self-titled debut album of a German black metal band named Ferndal, whose influences are described by Einheit as “reaching from Darkthrone to Windir, from Beethoven to Arvo Pärt and from baroque grace to romantic melancholy, within a veil of pure black metal aggression”. Is it any wonder I paused in my scurrying to have a listen to the first teaser of music? Continue reading »

SHORT BUT SWEET: ULTHA AND MORAST — A BATHORY TRIBUTE

 Album Reviews, SHORT BUT SWEET  1 Response »
Oct 182016
 

ultha-bathory-tribute

 

During this past weekend two very good German bands released a split in which each of them covers a song by the almighty Bathory. The bands are Ultha and Morast. The split is available on Bandcmp now and will be released on 7″ vinyl by Vendetta Records (Halo of Flies will have copies for U.S. distro). The songs will also be included in a Bathory Tribute Compilation to be released later this year by CVLT Nation. Here are a few thoughts about the split, plus streams of the songs:

ULTHA

In March of this year I posted (here) an interview of this new German black metal band along with a stream of a song from their debut album Pain Cleanses Every Doubt, which was originally released by a group of European labels last year and then re-released in April 2016 by Translation Loss Records.

And then in August I also reviewed the band’s new EP, Dismal Ruins. Both releases were so very good that I was eager to hear Ultha’s cover song for this new split. Continue reading »