Apr 092025
 

(On April 21st a group of labels will release a new album by the Finnish death metal band Morbific, and that induced our contributor Zoltar to reach out for an interview, which now follows.)

Samples of forgotten horror flicks, a crude-as-fuck production, distorted bass breaks one hasn’t heard since Impetigo‘s debut album back in 1990, dual vocals and lyrics about mutilating a corpse or draining into a tub various secretions of a putrefied body… You can’t really blame Finnish youngsters Morbific for beating around the (dead) bush can you?

Various splits and an EP plus three albums, including the soon-to-be-released Bloom Of The Abnormal Flesh, in, the trio stick to what they do best: old-school, primitive, and ghastly death metal, yet surprisingly catchy thanks to its underlining groove and straight-to-the-point attitude. Next to other rather ‘new’ European acts like Stockholm’s Repuked or Copenhagen’s Undergang, their undeniable faith in a certain deeply underground and untouched-by-modernism definition of what death metal stands for is undeniable.

And yes, based on their bass player and vocalist Jusa‘s not quite extensive answers, they don’t seem to give a fuck about anything, but it’s probably because at the end of the day, it’s just all about playing freakin’ death metal and celebrating gore, nothing less nothing more. Continue reading »

Mar 192025
 

(written by Islander)

We have some previous experience with the Finnish death metal band Morbific. In considering music (which we premiered) from their second album Squirm Beyond the Mortal Realm, we described it as “undeniably raw and foul, well-calculated to channel sensations of disease, putrefaction, and madness while giving your bones a brutal beating — and creating an atmosphere of supernatural horror while they do all that.” We added that Morbific were also “ridiculously good at making their creations head-moving and ‘catchy’ as well as hideous.”

More recently our contributor Chile caught their performance at the 2024 edition of Oslo Deathfest and wrote this vivid description of what ensued:

…the crowd goes wild in a fantastic display of great chemistry between the band and audience, turning the bar area into a warfield of bodies strewn on filthy riffs stretching as far as the eye can see…. Bursting through the abdomen of the stage like some kind of extraterrestrial, Morbific are all teeth and snarl in a seemingly simple, yet very effective display of putrid brutality.

And now this rotten-to-the-core death metal band are upon us again, with a third album entitled Bloom of Abnormal Flesh set for co-release on April 21st by Memento Mori and Me Saco un Ojo (who also co-released the band’s last album), again adorned with blood-congealing cover art by Chase Slaker. And again, we have a song premiere off the album. The name says it all: “Crusading Necrotization“. Continue reading »

Dec 052024
 

(This is our Oslo-based contributor Chile‘s report on the second day of the second edition of Oslo Deathfest, which took place on November 29-30 this year, accompanied by his photos.)

Saturday morning came too early, the sweet aching of the body’s night excursions seemingly still present. A couple of cups of coffee later, all is well again, the mysteries of the organism. A perfectly choreographed self-hypnosis ritual. The ice has retreated from the streets and given way to the rain in a move surprising absolutely nobody here. We are ready to go.

Second day of Oslo Deathfest keeps the format of the previous day, but goes even harder with eight bands in total and starting at four in the afternoon to accommodate them all. We are once again greeted by the organisers and the good people at Vaterland for the first two bands.  Continue reading »

Sep 292022
 

Contemplate the artwork of Chase Slaker that introduces people to the second album by Morbific. Take in the wretched, lifeless vision of skeletons strewn about and piled high in chilling monoliths. Consider also the album’s name — Squirm Beyond the Mortal Realm — and song titles such as “Meal From An Open Skull”, “Initiation Into Oblivion”, “Malignant Germination”, or the track we’re premiering today, “Suicide Sanctum“.

All of that foretells death (metal) and the presence of the supernatural.

These signposts are also very accurate. Morbific‘s brand of death metal is undeniably raw and foul, well-calculated to channel sensations of disease, putrefaction, and madness while giving your bones a brutal beating — and creating an atmosphere of supernatural horror while they do all that.

That would be enough for most fans of rotten-to-the-core death metal, but it turns out that Morbific are ridiculously good at making their creations head-moving and “catchy” as well as hideous. Continue reading »