(February ends today — oh wait! there’s a leap day tomorrow! — but we’re close enough that Gonzo has returned with another end-of-month collection of recommended albums, six of them, with streams and his reviews below.)

Maybe it’s just me being overly cynical, but does anything good ever happen in February? Why does it occasionally have an extra day every few years? Why is it always shorter? Who comes up with this shit?

Perhaps I’m once again shouting into my void of choice, but that might be because I’m recovering from five days of being on my ass thanks to some kind of plague I contracted last week. It feels good to be functional enough to write coherently (well, somewhat) and I’m relishing every moment in which I no longer feel like a vat of nuclear waste.

Musically speaking, there was an overwhelming amount of quality releases that saw the light of day in January, and by the time you’re reading this, long-awaited new albums from both Job for a Cowboy and Darkest Hour will be out and reviewed by our own Andy Synn. What year is it?!

There’s also no shortage of heavy hitters in this column; some of which have graced us with a new album after several years of dormancy. Some names you’ll recognize, some you won’t. Who doesn’t love a good comeback, though? Continue reading »