Feb 242025
 

(At the end of January the US doom metal legends Pentagram, in collaboration with Heavy Psych Sounds, returned with their first new studio album in a decade. Not long before it was released, our Comrade Aleks reached out and then conducted the following very good interview with current Pentagram guitarist and sound producer Tony Reed, who also leads Mos Generator and Hot Spring Water. With thanks to Tony Reed, we present that interview today.)

The first incarnation of doom metal legend Pentagram was founded in 1971. Back then Bobby Liebling (vocals) gathered around himself a bunch of like-minded persons who dug heavy bluesy rock and wanted to do their own things. The band had a reputation of “street Black Sabbath”, and a lot of talented musicians went through its ranks.

Almost all of Pentagram‘s rises and falls were the result of Bobby’s actions, and it’s a miracle that after so many years the band is still alive. Nearly 40 musicians went through the band, and nowadays Bobby is accompanied by the guitarist and sound producer Tony Reed of Mos Generator, his colleague bass-player Scooter Haslip, and drummer Henry Vasquez from Saint Vitus, Legions of Doom, and more.

At the time of this interview Heavy Psych Sounds was scheduled to release the new Pentagram album Lightning in a Bottle on January 31st. It’s the tenth album in the band’s extended career (and the first one in this decade), and it’s an absolute killer, something I couldn’t ignore. Tony Reed was kind enough to find some free time in his busy schedule and helped with this interview. Continue reading »

Sep 122020
 

 

Greetings, ladies and germs. As promised in yesterday’s round-up, I have MANY more selections of new music for your listening pleasure. Does this mean that I’m now caught up in showing you what I’ve discovered? Oh, hell no! I will have more in tomorrow’s SHADES OF BLACK column (and still won’t be caught up).

To speed things along I’m just throwing you the music streams and my usual impulsive commentary, sans artwork. Later today I’ll fill in the art, a few more details about the releases, and the usual ordering and FB links. The following tracks are presented in alphabetical order by band name (with Greece coincidentally represented at the beginning and the end), and I’ll tell you that the music is all over the map stylistically.

DEPHOSPHORUS (Greece)

This first song is such a heavyweight neck-wrecker at the beginning, although filaments of ravishing melody rapidly spiral out from beneath its bone-breaking rhythm. However, the song also explodes in breathtaking fashion — a storm of battering drums, blizzard-like guitars, and truly wild, howling vocal ferocity. The track is tremendously thrilling in all of its course-changes, which include sweeping, fire-bright sonic panoramas; the sludgy heft of the low end is a thrill all its own. Continue reading »