Here at this site we haven’t paid nearly enough attention to the Polish band MROME. Even after marveling in print at their 2018 second album Noetic Collision on the Roof of Hell, we said not a word about their next full-length, Leech Ghetto, which dropped in 2019, nor did we notice their debut album, 2016’s The Basement Sophisma.
Well, they have no use for record labels and they don’t work with a PR machine. They don’t tour and they’re uninterested in promo photos or social media. In their own words, they exist “to say FUCK YOU to messengers of dread and obedience”, and do this by making concept albums in which the music, the words, and the graphics are interrelated.
Metal-Archives labels them “Thrash Metal”, which is like calling a cut and polished emerald “a greenish mineral”. Yes, they’ve been known to thrash, but their musical evolution has turned them into something that’s significantly more multi-faceted. Even in the case of that 2018 album, we dropped references to Hail Spirit Noir, Mantar, and “infernal death rock” (not “deathrock”). Their newest album Barbaric Values, which drops today, is even tougher to pigeon-hole. Continue reading »