OBSCURITIES VOL. XII: THE SEASON OF THE LIST

 Album Reviews  2 Responses »
Dec 132024
 

(Daniel Barkasi is back with us again, this time providing reviews of eight recommended albums of varying style that were released in November 2024.)

No, we’re not talking about Halloween III: Season of the Witch, and we certainly won’t be seeing any odd witch masks with a piece of Stonehenge in them. That movie is rough, but also strangely entertaining. It was better than almost all of the subsequent Halloween sequels that came after, though that isn’t saying much, is it? Now that infernal Silver Shamrock song is stuck in my head. Go ahead and click on that link. Now it’s in your head, too.

Halloween has long since passed, and now also Thanksgiving being in the rearview – and a huge thank you to our awesome KevinP for having the wife and myself over. Seeing him and his awesome family on Thanksgiving has become a tradition for us, and one we’re incredibly thankful for. Certainly hope there were some good times with good people, whether you celebrate the holiday or not.

The sheer volume of releases the last few years has been staggering, with 2024 being no exception. Sometimes it’s an overwhelming circumstance, however, as we don’t want to miss much, so there are plenty of long listening sessions. It’s impossible to not miss releases, and once we get into next year, there will always be some that we can hardly believe evaded our ears by perusing the many lists out there. Especially the many lists that’ll be present on this fine site – Andy Synn is on a roll, and he always unearths plenty of gems. Continue reading »

SHADES OF BLACK: STANGARIGEL, KLUIZENAER, MUR, SCHAUER, A PREGNANT LIGHT, SIVYJ YAR

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  1 Response »
Jan 092022
 

It may seem like a paradox, but the less time I have to devote to preparing these columns the easier it is for me to do them. When I have a greater than usual amount of time, I listen to more music, I find more releases that I want to recommend, and then I struggle to whittle down the choices into a group that I can manage to write about in the time I have left.

That’s the situation I find myself in today. Because my spouse has been out of the house a lot over the last couple of days galavanting around with one of her visiting sisters, I plowed through a lot of new music. The listening sessions were a blast, but then I had to engage in a painful winnowing process. The results may be painful in a different way for you: Even after the winnowing, today’s column provides a lot to take in, and might put added pressure on your bank accounts if you find as much to like as I did.

Speaking of how much music I’ve included today, I narrowed the albums down to three new ones (which is still more than usual for these SOB installments), and then sprinkled in some advance tracks from forthcoming records, plus one new EP. Continue reading »

SHADES OF BLACK: MUR, GRAVEOLENCE, GOMGOMA

 SHADES OF BLACK  1 Response »
May 162021
 

 

Obviously, I didn’t make the usual Saturday round-up of new songs and videos yesterday. I was victimized by a combination of too much partying the night before and too much work for my fucking day job. This Shades of Black column is also a bit out of the ordinary. I tend to focus on brand new releases and advance tracks from forthcoming records, but today I’m playing catch-up, calling attention to three albums I’ve been enjoying which came out in March or April. And none of these releases is unadulterated black metal — in fact, the “blackening” is often minimal — though the other ingredients in these amalgams differ from band to band.

(I’ll also mentioned that Panopticon’s new album is out now in digital form, and you should go listen to it here; I already spewed a bunch of words about it in mid-April.)

MUR

This French band’s new record, Truth, is classified as an EP, but it’s more than 30 minutes long, and it’s a great way to spend a half-hour, as long as your’re not a rigid genre purist. Continue reading »

SEEN AND HEARD ON A SATURDAY: ANAAL NATHRAKH, FINNTROLL, BENEDICTION, EVAPORATED SORES, COUNTLESS SKIES, MUR, DEATHORCHESTRA

 Metal News, RANDOM FUCKING MUSIC  13 Responses »
Aug 082020
 

 

Here’s a lucky 7 songs and videos I picked out after wading through a lot of new music that surfaced in the last few days. There’s no particular rhyme or reason to the way I’ve arranged them — no two songs are alike.

ANAAL NATHRAKH

I needed this new song from Anaal Nathrakh. I’m so angry at the brain-dead walking corpse that passes for the United States these days. The video sums up some of what’s wrong, but so much is wrong that it only scratches the surface. Still, it proved cathartic, as did the viciousness of the music. And the brilliance of Dave Hunt‘s soaring voice in the chorus is a fuckin’ wonder. Continue reading »

AN NCS VIDEO PREMIERE: MUR — “I SEE THROUGH STONES”

 Premieres  1 Response »
Apr 242020
 

 

Get ready to witness one of the most stunning videos you’re likely to see this year, a rapidly changing panorama of reconstruction, deconstruction, and geometric juxtaposition in which the natural flow of time is up-ended. It is an ingenious, thrilling, and harrowing accompaniment to a song that also radiates all of those same qualities, and more. And it resonates with particular intensity in our current time, when everything we thought we knew about the world seems to be fracturing, to itself be deconstructing.

The song is “I See Through Stones“, and it appears on Brutalism, the first full-length by the French band Mur, whose six-person line-up includes former members of Today is the Day, Glorior Belli, Mass Hysteria, Comity, and Four Question Marks. The album was released last October by Les Acteurs de l’Ombre Productions, and this video and song provide a terrific reminder of why it’s a record you should explore without delay if you haven’t already. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MUR — “BRUTALISM”

 Album Reviews, Premieres  1 Response »
Oct 242019
 

 

With their self-titled debut EP released in 2014, the French band Mur (whose six-person line-up includes former members of Today is the Day, Glorior Belli, Mass Hysteria, Comity, and Four Question Marks) began feeling their way, searching for an identity for their music and beginning to establish one. When you listen to their new full-length record, Brutalism, which will be released on October 25th by Les Acteurs de l’Ombre Productions, it becomes apparent that they have arrived — at a place where their confidence is strong and their identity (albeit a multi-faceted one) well-defined. It isn’t so much a sea-change in sound compared to the EP as it is a giant, adventurous stride ahead on the path they began five years ago.

The album is a fascinating experience because it is such a dynamic one. It offers constant surprises, but does so without losing the bonds that forge all the experiences together into a whole, and without sacrificing the explosive, searing intensity that’s the main hallmark of the record. Previously we premiered a song from the album (“Third“) and separately reviewed another one (“I See Through Stones”), but today we have for you a stream of the complete album — and a few more impressionistic thoughts about the music (okay, more than a few). Continue reading »

AN NCS PREMIERE: MUR — “THIRD”

 Premieres  No Responses »
Oct 112019
 

 

With their self-titled debut EP released in 2014, the French band Mur (whose six-person line-up includes former members of Today is the Day, Glorior Belli, Mass Hysteria, Comity, and Four Question Marks) began feeling their way, searching for an identity for their music and beginning to establish one. When you listen to their new full-length record Brutalism, which will be released on October 25th by Les Acteurs de l’Ombre Productions, it becomes apparent that they have arrived, at a place where their confidence is strong and their identity (albeit a multi-faceted one) well-defined. It isn’t so much a sea-change in sound compared to the EP as it is a giant stride ahead on the path they began five years ago.

The album is a fascinating experience because it is such a dynamic one. It offers constant surprises, but does so without losing the bonds that forge all the experiences together into a whole, and without sacrificing the explosive, searing intensity that’s the main hallmark of the record. Today we’re presenting a new song from the album (“Third“) that in itself embodies dramatic change — as well as serving as a blazing example of just how devastatingly powerful Mur’s combination of hardcore and black metal can be. Continue reading »

SHADES OF BLACK: DEADSPACE, MUR, BLACK CILICE, R.N.V.

 SHADES OF BLACK  8 Responses »
Jun 302019
 

 

Man, I have so much new black metal to write about this week (like what else is new?), but not enough time to write about all of it (that’s not new either), in part because of the time I spent on a rare Sunday premiere (which you really should go listen to if you haven’t already), though it’s a shade of black too.

Despite the temptations, I know better than to call this post Part 1. We know what the Scottish bard said about best-laid plans. Better to just see what happens, better to be pleasantly surprised than disappointed by another broken promise.

DEADSPACE

When the first song in this collection appeared last week my friend Mr. Synn quipped on FB: “Like Nachtmystium but worried that by doing so you’re in danger of having your canoe stolen and sold for drug money? Well, worry no longer!” Continue reading »

SHADES OF BLACK: SWARÞ, LUSTRE, MUR, MURG, GENOCIDE SHRINES

 RANDOM FUCKING MUSIC, SHADES OF BLACK  12 Responses »
Apr 212015
 

 

If you’re new to our site, “Shades of Black” is the name I put on round-ups of recommended new music when everything I’ve found coincidentally happens to have some connection to black metal. As you’re about to find out, my definition of “connection” covers a big swath of territory.

Some of the songs featured in this post come from albums that are already available for streaming in their entirety. I’m mentioning them now because I’m afraid if I defer writing anything until I can listen to the whole album and prepare a review, there’s a chance I won’t write anything at all.

SWARÞ

The fact that my tastes in metal are so wide-ranging has good and bad consequences. I think it’s good for the site, because without trying very hard I can contribute variety to the music we feature simply by writing about what I like. It’s bad because I don’t have the kind of depth of knowledge that comes from really immersing myself in just one or two sub-genres. Continue reading »