Neill Jameson Archives - Page 4 of 6

COVER YOUR FUCKING MOUTH IF YOU COUGH NCS PLAYLIST III (BY NEILL JAMESON)

May 262020

(So far, Neill Jameson (Krieg, Poison Blood) has shared with us (here and here) two playlists of musical suggestions to help us get through the current plague time, and today he follows those with a third selection.)

I’ve been a little slower than I wanted to be with this third quarantine playlist, slow to the point where the country decided the virus is like black metal and moved on to grind. Or something like that, I’m probably mixing my irritations up. But much like your desire to hug all the homies “when this is over” these playlists aren’t going away. Well, after the fourth one it will, but let’s suspend disbelief for a minute because these are TRYING TIMES and my inability to get a haircut makes it illegal for me to be in close proximity to a school. Catch-22 though, there’s no kids in there anyway.

Moving on. I think the format to this is pretty much established, especially since I see a few people biting off it, terminology and all, so let’s get into it. Continue reading »

NCS STAY THE FUCK INSIDE LIST II (BY NEILL JAMESON)

RANDOM FUCKING MUSIC 4 Responses »

Apr 032020

(Two weeks ago (here) Neill Jameson (Krieg, Poison Blood) shared with us and you a list of musical suggestions to help us get through the current “end of the world” times, and today he follows that with another selection.)

So not a hell of a lot has changed since the last time I sat down to do one of these. Seems that a lot of you are still stuck at home, bitching and moaning that you’re bored while another batch of you (myself included) is considered “essential” and stuck being out with the public every day, most of whom have no real reason to be out of their house except “boredom”. These are the same assholes who’re going to be shocked they’re waiting for a ventilator in a few weeks while the poor sap who never finished college who’s behind whatever counter (me again) still has to go to work without extra pay, wishing they/we/I could be at home or at the very least stop being told by our jobs to be grateful we still have them while the “Today Show” has some montage about how essential employees are “heroes”, a sentiment not reflected in the majority of their paychecks.

That shit-show aside, I’ve compiled a few bands and labels that, since you have the time, are worth your consideration. Hopefully you find something interesting you haven’t heard before or you think my taste is pure horseshit and are moved to compile your own lists. Either way it gives you something to emotionally invest in for a few minutes while you try to figure out what household item you can use to wipe your ass with. Continue reading »

PLAYLIST FOR DRAMATIC TIMES (BY NEILL JAMESON)

RANDOM FUCKING MUSIC 5 Responses »

Mar 182020

(We’re grateful to Neill Jameson (Krieg, Poison Blood), and hopefully you will be too, for sharing the following list of musical suggestions to help us get through the current “end of the world” times.)

So I’m sure we can agree that it’s been an interesting week or two recently and because of it a lot of you are going to be stuck indoors for a bit. And as much as we like to complain we don’t get enough time to ourselves, when it’s forced upon us it somehow feels more like an inconvenience than an opportunity. And unless you’re one of those assholes running to crowded places to prove that you’re invincible against the powers of the NWO you’re probably going to stay at home like a proper facsimile of a responsible adult. So I figured that even though I’m somehow considered “essential” at my job, I wanted to do something to contribute to easing the cabin fever that’s going to set in for the rest of you; you can build a monument to my altruism later.

I’ve been doing a lot more musical exploring the last month or two. I can’t really explain it since I haven’t been that into seeking out new things in quite awhile, even in those years where my annual list is filled to the brim. And I’ve found a lot of things I’m enjoying, so I wanted to compile them and share them with the class, in case this helps you find something new or at least gives you something to complain about. This is going to span a few genres, the whole “something for everyone” concept, I suppose. If you end up actually digging any of this shit then consider supporting the bands or, in these fun-filled times, see if other bands and labels you enjoy are hurting because of cancellations or unemployment. Anyway, here’s some records: Continue reading »

LISTMANIA 2019: A YEAR-END LIST BY NEILL JAMESON (PART 2)

LISTMANIA 2019 2 Responses »

Dec 242019

(For the sixth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and the one this year — which is divided into two parts — is no different. You can find Part 1 here.)

I knew the moment I hit “send” on the first part of this that I’d remember a few records I wanted to write a bit about. That’s one of the nicer things about years like this: there’s so much out there worth listening to that you somehow forget all of it when you’re pressed to talk about it. Like I said previously, this is more of an “odds & ends” part of the shit I filled my ears with in 2019. So rather than fill space with more pointless exposition let’s just get right to it: Continue reading »

LISTMANIA 2019: A YEAR-END LIST BY NEILL JAMESON (PART 1)

LISTMANIA 2019 2 Responses »

Dec 232019

(For the sixth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and the one this year which is divided into two parts — is no different. Look for Part 2 tomorrow.)

Going over my year-end thing from last year I’m struck with how dour of a tone it takes and I’m reminded of how difficult I found putting that list together. Not that the choices I made were bad, far from it, but those were the only records I could pull out of last year that I felt anything for. Only two of them remain in rotation, maybe three. Kind of self-fulfilling since nearly every time I’ve been given the honor to thrust my tastes at you I always warn of how people don’t actually pay attention to the records on these lists a few weeks after the new year starts. I guess this means I’m not better than any of you since I’m guilty of the same thing, and now my entire world is crumbling. Also I quit smoking a week ago.

Any of this only matters because I’ve had a much more difficult and, honestly, awful year than I have in… well… years, and yet the only reason this list is a lot tougher than 2018 is because this has been an incredible year for music and I’ve only scratched the surface with this list. Much like 2017, I have to do two pieces for shit I think you should give a listen to. Hope you get something out of them. This first part will focus on the full-lengths while the second part will be the fucking myriad odds and ends this year that kept dropping like a rat shitting in a hoarder’s dining room. Continue reading »

LISTMANIA 2018: A YEAR-END LIST FROM NEILL JAMESON

LISTMANIA 2018 6 Responses »

Dec 272018

(For the fifth year in a row, we’re grateful that Neill Jameson (Krieg, Poison Blood) accepted our invitation to share with us and you a list releases from the past year that made an impact on him. His lists always provide welcome discoveries, and this year is no different.)

I have to be honest, this year I really didn’t listen to a lot of new records. I guess there’s a bunch of reasons why, each one more boring than the last. Sort of like most of the year-end lists I’ve seen on social media the last six weeks. Am I just getting too old and burned out to enjoy some of this shit? I mean that seems like a solid enough reason rather than just coming out and saying a lot of “popular” (I guess) metal this year felt disposable, and while a lot of you will rise up to tell me I’m a fucking moron I’d be willing to put a solid six or seven dollars down that you won’t be listening to the majority of your year-end list in two years.

Last year I had a massive list and I still stand by the bulk of it. 2017 was a great year for new music. 2018? I dunno, I’ve been distracted. I haven’t even listened to the new Drudkh yet. I’m sure it’s great. I’m sure a lot of great stuff happened this year and I’m sure a lot of it is under my radar and possibly yours too. I don’t want anyone to have the impression I feel like I have superior tastes to you when I do these lists; I don’t. And neither do you. We all should listen to what we enjoy without having to worry about what some asshole a few seats over is going to think. Continue reading »

ANOTHER AMBIENT MUSIC LIST (FROM NEILL JAMESON)

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Jul 302018

(Neill Jameson (Krieg, Poison Blood) returns to our site with another list of music that’s off our usual beaten paths.)

I don’t know why I’ve taken such a sour turn on new guitar-based releases this year; maybe it’s because so much of the shit I’m seeing pushed everywhere is incredibly derivative and unnecessary, maybe it’s because I’m not looking in the right places or that 2017’s glut of greatness spoiled me for 2018. Or maybe it’s because I’m old. Regardless of the answer, I’ve spent a lot of time this year either clicking around to check out a lot of ambient (using the term as a general umbrella) material that’s being released by a growing number of eccentric labels or digging into the boxes of CDs I have crammed in various storage spaces in my apartment, much to the obvious joy of my partner.

My last self-indulgent excursion into this field was centered on dungeon synth but as I am a man of many hats I figured I’d diversify this list to include some more spacey or tripped-out pieces. Also I don’t wear hats, my head is too big and I look fucking ridiculous. So now that we’ve established that I’m a liar here’s some things to check out if you’re so inclined. Continue reading »

DUNGEON SYNTH: A LIST BY NEILL JAMESON

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May 212018

(In Part II of his 2017 year-end list for NCS, our friend Neill Jameson (Krieg, Poison Blood) devoted attention to reissues of music from the realms of dungeon synth, but here that genre is the sole focus of the following recommendations.)

I’m sure you’re tired of hearing about the various synth subgenres that have popped up all around metal the last few years because they don’t have guitars or whatever excuse you give when confronted with something outside of metal. I know that kept me out of checking a lot of this shit out and gave me a lot of preconceived notions (mostly true when it comes to synthwave). I’ve been a longtime devotee of early (now Era 1) Mortiis but around the time he decided to try different genre pastures I was burned out by overly symphonic and honestly overly fucking melodramatic dark ambient and really only revisited the more ambient side of things when I put on old Mortiis records or if some black metal band had a good instrumental track (i.e., Lugubrum’s earlier stuff — totally underrated and mandatory band). That was until I listened to Old Tower out of curiosity, which caused a twelve-month binge on dungeon synth. I tend to obsess over these kinds of things and dungeon synth is a genre that’s constantly expanding so I always have something to check out. Like most genres, I don’t like 75% of it but what I do like, I really dig into.

Anyway thanks for sticking around for that needless exposition. The cliff notes version for anyone wanting to skip ahead is here’s another list I’ve submitted, this time with some dungeon synth you might not be too aware of and might be interested in checking out. Unlike most times I make these lists I’d actually love for readers to post suggestions for me to check out.

The best resource I’ve found for the genre is The Dungeon Synth Archives on YouTube, which seems to update every day. I’ve also noticed that Tour De Garde, Hollow Myths, and Out of Season generally knock it out of the park with their releases in the genre, plus Tour De Garde constantly releases black metal of high quality, which is a bonus if you have money to burn on something you won’t hate. Continue reading »

LISTMANIA 2017: A YEAR-END LIST BY NEILL JAMESON (PART II)

LISTMANIA 2017 3 Responses »

Dec 192017

(For the fourth year in a row, Neill Jameson (Krieg, Poison Blood) kindly accepted our invitation to share with us his list releases from the past year that meant the most to him. It comes in two parts. In this second part, Neill’s list is devoted to splits, reissues, and “non-metal odds and ends”. Part I, which includes albums and EPs, is HERE.)

Still with me? Thanks, I promise this won’t be as wordy. 2017 was also a great year for splits, reissues, and dark music that doesn’t fall into the “metal” category but is worth your attention just the same. That seems like enough of an intro, let’s dive right in. Continue reading »

LISTMANIA 2017: A YEAR-END LIST BY NEILL JAMESON (PART I)

LISTMANIA 2017 17 Responses »

Dec 182017

2017 was a really great year for music, a year that comes only once every ten years or so for me. Nearly every subgenre had at least one recording this year that I could see listening to in a few years time. That’s always been something that perplexes me regarding this time of year: how many of the records on some people’s top 175 of the year are actually going to stay in their lives beyond a few bylines during the year it was released? With so much shit being pressed into these massive lists, not to mention the literal thousands of releases that don’t make the cut, how much time do we really give these records, to let them sink in, and to really look at them as the benchmarks of the ending year?

In the end none of these lists mean much beyond the bands (hopefully) being proud of what they accomplished and our own ego stroking, as writers, to basically force our tastes onto you. What matters is what you get out of a record, even if your favorite didn’t make anyone’s list. Who gives a fuck as long as it’s a meaningful record to you. Here’s what records ended up being meaningful to me this year: Continue reading »

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