Dec 062024
 

(written by Islander)

Noctambulist stand for contrasts. Serotonin summits and strung-out canyons. The empty and the grandiose. The beautiful and the appalling.”

That’s how this Dutch band represent their own music, and when you listen, it makes a lot of sense. In more prosaic terms, they could be considered a “melancholic” black metal band, albeit one that draws inspiration from other genres such as post-rock, shoegaze, new wave, and post-punk.

They released their full-length debut Noctambulist I: Elegieën via Northern Silence Productions in 2021, and now they’re following that with a new album named Noctambulist II: De Droom that will come out in February on These Hands Melt.

So far, two singles from the album have appeared. The second one, “Lichteter,” surfaced in mid-November, and today we’re premiering a beautifully made video that evokes key features of the song’s themes. Continue reading »

Jun 022021
 

 

(Nathan Ferreira introduces our premiere of a track off the new album by Denver-based Noctambulist, which will be released by Willowtip Records on July 2nd.)

It’s difficult to stand out in any style of music, but that challenge is heightened for The Barren Form – first impressions of it will bring to mind the claustrophobic fretwork of Portal distilled into the blistering intensity of Hate Eternal. Such overstimulating qualities don’t tend to leave a lot of room for dynamics, and on top of that, Noctambulist like to write slabs of 6+ minutes of chaotic cacophony. The few moments you do get to breathe are barely able to be savored before a song powers into another turbulent assault, highlighted by the mind-boggling speed and stamina of drummer Michael Nolan.

The musicianship on The Barren Form is top-notch, as is expected from a Willowtip Records release, but what is striking about Noctambulist is how much emotion they can inject into a suffocating, abstruse template. A couple of staccato chops at the right time hammers the riffs in deep, and the guitars themselves don’t tend to noodle around the fretboard a lot – either that or it’s muffled amidst the discordance. What then emerges are jagged, unsettling chords that simultaneously release tension as it’s built.

Where contemporaries in this realm of death metal might focus more on snaking subtleties and enhancing the overall creepiness and confusion, Noctambulist are fast, heavy, and fucking loud. It feels like everything is just coming at you all at once, with a roomy, modern production job giving proper balance so no one element is neglected. Continue reading »

Nov 152018
 

 

As usual, I have a long list of new songs to recommend. As sometimes happens, I found that a great many of them were different variants of death metal, and so I’ve resorted to the “Death Rituals” moniker for today’s round-up rather than “Seen and Heard” and will leave the songs of other genres to another day. I’ve also divided the group into multiple parts to make it easier for me to squeeze them into the slate of other posts we’ve planned for today. Not sure how many other parts there will be — because I haven’t written them yet!

FESTERDAY

The Finnish Festerday (named after a Carcass song) released three demos and a split from 1991 to 1992, then fell silent for 25 years (at least under that name) until finding their roar again in 2017 through the release of a split with Total Vomit Experience. Since then additional short releases have followed, and now the band’s first album, lihtallan, is set for discharge by Season of Mist on January 4th. Continue reading »