Nov 212024
 


The Great Old Ones – Photo by Daphnea Doto/Solweig Wood

(written by Islander)

This week I’ve done a better than average job staying abreast of new songs and videos that have surfaced since last weekend which I thought would be worth checking out. The result is that my list of things to investigate is now 40 links longer than it was on Monday morning! Anyone who thinks the rollout of heavy new music slows down near the end of the year must have just awakened from a very long slumber.

Fortunately, I had some time this morning (which I usually don’t have on the weekdays) to make a small dent in that list and pull a few things together to get a head-start on my usual Saturday and Sunday roundups at our site. I confess that today I erred on the side of bands who I think of as “proven commodities,” just to make the winnowing process a bit easier — though I did decide to include one I’d never heard before. Continue reading »

Aug 182023
 

It’s been a very long time since I was able to compile roundups of new music three days in a row, but lo and behold I have done so, mainly due to the absence of any premieres on our calendar for today. Barring some unforeseeable calamity I’ll add a fourth one in a row tomorrow in the usual Saturday Seen and Heard spot.

MALOKARPATAN (Slovakia)

To spice up the musical fall, and just in time for Samhain, Malokarpatan will release a new album named Vertumnus Caesar through Invictus Productions (EU) and The Ajna Offensive (NorthAm) on October 27.

We never really know what devils will come out to play when this band records something new, and that’s probably not entirely clear from listening to the first single from the album, which just surfaced. But that’s all we have so far, so what does it show us? Continue reading »

Nov 022021
 

 

(TheMadIsraeli has re-surfaced with this review because Obscura‘s new album left him no choice. It’s set for release on November 19th by Nuclear Blast.)

I’ve been keeping a low profile as of late and probably won’t be submitting a year-end list for NCS or doing any more reviews for the year. Many things have brought this about, just personal life things and trying to get my shit in some vague semblance of an order going into next year. I might even change the alias I use for this website, and I feel like in the spirit of that I’d do my last review for the year and talk about Obscura.

It’s funny, because in the same “different face, same presentation” manner that I’m thinking of changing my writing alias for this website, so too has Obscura decided to do the same regarding their sonic identity with A Valediction. Obscura is one of my favorite bands of all time, although I didn’t used to feel that way. I was that guy who in the case of Cosmogenesis was was using unimaginative, uneducated language like “boring”, “pretentious”, and “wanky”to describe what was in reality some of the most mature guitar-centric progressive and technical death metal produced aside from Necrophagist. Continue reading »

Oct 202021
 


Obscura and their rides…

 

I picked songs for six bands for this hump-day roundup, and all of them come with videos. I expect moving through this will keep you on your toes, or rock you back on your heels, because the tracks move in unpredictable ways from one to the next. I got thrills of different kinds out of all of them, and hope you will too.

As the post title suggests, I have an idea for a second round-up, which includes some recently released EPs. I haven’t started writing it yet, so I’m unsure whether I’ll have time to finish it for posting today, but if not, you’ll see it first thing tomorrow.

OBSCURA (Germany)

This latest track premiere from Obscura’s new album, which is delivered through a performance video, got my motor running in a big damned hurry. “When Stars Collide” is a turbocharged thrill-ride with glorious bursts of singing by Soilwork’s Björn Strid, the kind of song geared to set arenas on fire with its pyrotechnical fretwork and blistering drum attack, and the dual-guitar soloing is a big ear-worm too. Continue reading »

Sep 252021
 

 

To avoid boring you and offending vegetarians and vegans out there, I’ll spare you the details, but I have to pick up an animal carcass and then burn wood in a pit for about 6 hours today before burying it. There’s a lot to be said about staring at fire for 6 hours, but I’m going to drink anyway.

And anyway, because this all has to get started soon and because I slept in, I’m unable to write this morning. Even in the “Overflowing Streams” format I usually manage to write a couple sentences about the new music and videos I’ve chosen and then leave pre-order and Facebook links. I don’t even have time to do that today. In the 11+ years of NCS I can’t remember another time when all I’ve done is installed the music streams and videos. I guess there’s a first time for everything.

To salve my wounded conscience I did decide to (mostly) limit this collection to what I consider well-known bands because you’ll probably have a good idea about what’s coming without me providing any guidance. But there may still be a few surprises.

P.S. There’s no new music from Lock Up in this collection. I just like Khaos Diktator‘s cover art for the band’s new album. The first single, “Dark Force Of Conviction”, will be coming on September 30th with a video. Continue reading »

Aug 212021
 

 

The usual torrent of new music continued this past week, culminating in the expected high tide on Friday. Harried by my day job, I couldn’t keep up with what happened yesterday, though my compatriot DGR did, and he again funneled a lot of the new stuff my way. Five of the selections you’ll find below came from him, though I did manage to add eight more advance tracks that I scoped out this morning, to create a lucky 13.

As in other instances of gigantic round-ups such as this one, it includes a lot of bigger names, but I’ve infiltrated some lesser-knowns. It’s like putting out honey to attract flies, and then hoping something they weren’t expecting bites them. Welcome aboard flies! Here we go in alphabetical order:

1914 (Ukraine)

It’s exciting to see an underground favorite such as 1914 (whom we’ve been writing about since their early days) getting picked up by a big label such as Napalm, for the simple reason that it will expose their prodigious talents to a wider audience. The fact that Nick Holmes makes a guest appearance on the song/video that leads off this collection will help as well. Continue reading »

Jul 022021
 

 

I’m scurrying. I was all ready to launch an album premiere and review, but the provider of the stream code seems to have been swallowed by the earth. So, to fill the gap I’ve quickly pulled together a bunch of new songs I encountered this morning, most of which come with entertaining videos. I’m pretending I’m a DJ and just inserting some very brief comments before each one, and adding some release info below the clips.

OBSCURA

The tech-death arms race shows no signs of diminishing, and, with manes and drapery blowing in the wind and fingers and limbs flying at blinding speed, Obscura rejoin the melee. Minds will be boggled…. Continue reading »

Jun 162021
 

 

We’re not paid by the word around here (we’re not paid anything around here). But if we were, I wouldn’t make enough from this post to buy a cheap beer. Being short on time today, I’ve resorted to what I seem to be doing with increasing frequency in these round-ups, i.e., just foisting music and videos on you without commentary, artwork, or links.

Rest assured, however, that I’m foisting the following songs and films for a reason — because I think they’re worth your time. Or at least some of them will be worth your time, while others might not be your genre-cup of tea. I don’t expect that everyone out there will be as small-c catholic in their tastes as I am.

I did have enough time to briefly summarize the release info for the records that include the music I’ve chosen — or, regarding the first item, the artwork I’ve chosen, because there’s no music yet from that album. Continue reading »

Feb 142019
 

 

There’s probably someone out there who was thinking, “Is this list STILL not finished? It’s the middle of fuckin’ February — when is that lunatic going to stop?” And then that someone saw the title of this installment and thought, “Oh wow. Didn’t realize he hadn’t gotten to Obscura or Soreption yet. I guess it’s okay if he goes on for a bit longer.”

OBSCURA

All of us here were big, big fans of Obscura’s latest album Diluvium — and it seems like everyone else who listened to it felt the same way. In his review, Andy recognized it as “the culmination of a decade’s worth of work and growth by this ever-evolving entity” and considered it home to “some of the most nuanced and natural-sounding songs of the band’s career” — “another win for Obscura, as well as a more than fitting conclusion to their epic endeavour” (it eventually made Andy’s list of the year’s Great albums).

For his part, DGR (in his year-end write-up) also thought the album was great — “predictably dense, but not in the stuffed-to-the-gills way that a lot of tech-death albums have been, but more because this was an album that really saw Obscura exploring their chosen sound” — and gave it a very high recommendation. Continue reading »

Feb 112019
 

 

(Andy Synn wants you to know that he took in another show. This time, Obscura, Fallujah, Allegaeon, and First Fragment drew him to the environs of London on February 8th, yielding this report plus video of the event.)

For whatever reason, possibly known only to the gods themselves, tonight’s show was one of three big package-tours plying their metallic wares in the capital all on the same evening, with Behemoth/At The Gates/Wolves In The Throne Room on at Kentish Town Forum and Psycroptic/Aversion’s Crown/Within Destruction/Hadal Maw/Hollow World making The Dome in Tufnell Park their home for the evening.

Thankfully, as I’d caught the latter tour a few days earlier in Manchester, my choice between the remaining two options was an easy one to make, as while I’m a fan of practically all the bands on both bills (to a greater or lesser extent), I wasn’t hugely taken with either of the most recent Behemoth and At The Gates albums, whereas I was very high on the most recent Obscura album (and, spoiler alert, the upcoming new Fallujah too).

So it was off to the O2 in Islington for me! Continue reading »