Dec 282023
 

(Andy Synn delivers one final retrospective on albums from 2023 you may have overlooked)

Hey everyone, I’m back, feeling fully refreshed and ready to rumble after my week (and a bit) hiatus.

Before I get fully stuck into 2024’s upcoming slate of releases I’ve got two more pieces for 2023 for you all to enjoy – namely my last Synn Report of the year (coming on Friday) and this extra-big edition of “Things You May Have Missed”.

Now unlike previous editions, this one won’t just be focussing on albums from the last month (though there’s seven – I think – albums from December featured here) but will also take a look back at certain albums from the past year that I either didn’t get the chance to cover at the time, didn’t discover until much later, or just wanted to highlight one more time for people to check out.

Of course, even so there’s more artists and albums I wanted to include than I had space or time for – so I’d urge you, if you have any extra time, to check out the new Moonreich (which almost made my “Personal Top Ten“, Rosa Faenskap (which did) and Witch Ripper (which I know was on my “Critical Top Ten“, but still seems to have flown under a few radars) – but first, feel free to go through everything I’ve featured here (which I’ve broken up into separate sub-categories) and check out a few things you may have missed!

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Sep 202023
 

(Andy Synn rides the waves of Prog-Metal magic with the upcoming new album from Obsidian Tide)

Earlier this year – and several times since – I’ve stated that 2023 has been, for me at least, a very Prog-heavy year. And that’s before I was even aware that Obsidian Tide had a new album coming!

If you’re not familiar with the band you might want to start by checking out our review of their debut album, as not only is it well worth listening to in its own right it also helps provide some extra insight and added context into how much they’ve developed – both instrumentally and artistically – since then.

There’s little to no question, of course, that The Grand Crescendo is even better than its predecessor (which itself was one of the most pleasant, and praiseworthy, surprises of 2019) but just saying that isn’t really enough to count as a proper review, so I should probably wrap up this increasingly-rambling intro and get stuck into what the album actually sounds like!

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Sep 112019
 

 

(This is Andy Synn‘s review of the debut album by the Israeli band Obsidian Tide, which was released on August 29th.)

It’s an exciting time to be a fan of the proggy end of the Rock/Metal spectrum.

Not only have Tool just released their long-awaited fifth album, but the end of the month will see the release of both a brand new Opeth record AND a remixed/remastered (and even proggier) version of Cynic’s brilliant 2008 comeback album, Traced In Air.

But what if I told you that a little-known group from Israel had recently released an album combining the best elements of all three of those bands?

Would you be interested?

I thought you might. Continue reading »