(Andy Synn dives deep into the new Oceans of Slumber album, out next week)
It is, quite frankly, borderline criminal that we haven’t all helped make Oceans of Slumber a bigger commercial and critical success.
Sure, the group has had issues with maintaining a consistent line-up, and they’ve yet to create an absolute classic that’s consistently awesome all the way through, but the highlights of their back-catalogue – combining the always stunning vocals of Cammie Beverly and the punishing percussive power of her husband Dobber with a visceral and vibrant variety of progressive riffs, cinematic synths, and lithe, limber bass-lines – have always, in my opinion at least, outnumbered their occasional musical missteps.
Hell, the gloomy Southern Gothic glamour of 2022’s Starlight & Ash could – and should – have led to some serious mainstream crossover success… but somehow the band still didn’t get their due.
Well, it now looks like all that rejection (ok, it’s not like the group are total unknowns by any means, they just have yet to receive the push they properly deserve) has come home to roost as, for better or worse (but mostly for better), it’s clear that Where Gods Fear to Speak is the sort of album that was written solely for the band’s own enjoyment and artistic fulfilment.