AN NCS INTERVIEW: OLD FOREST

 Interviews  No Responses »
Feb 252025
 

(James Fogarty is a man of many talents and musical incarnations, but clearly one of his favorites is in the guise of Kobold within the British black metal band Old Forest. That band, and their newest album Graveside (out now on Soulseller Records) is the focus of Comrade Aleks‘ interview with him that we present today, though the discussion turns to come of his many other projects and bands as well.)

Bands practicing any of the old school genres nowadays do not have to be original, they are not required to be. We approach such bands with a very specific request and expect to receive impressions conditioned by a clear code, a set of musical, lyrical and visual attributes common to the genre.

British black metal band Old Forest does not hide its intentions to express itself with the traditional features of the “second wave of black”. The name and logo itself, and the cover of the new album based on the 18th century painting ‘Moonlit Stoke Poges Cemetery’, exude a unique old-fashioned charm. Song titles such as “The Curse of the Vampire”, “Forgotten Graves”, “Spawn of the Witch” and so on categorically indicate the subject of their lyrics.

Although the label describes Old Forest’s approach to recording as “primitive and regressive”, this does not mean that Graveside will irritate your eardrums with its sound like the scraping of dead man’s claws on your window pane. Old Forest‘s eighth album is an honest and artful piece taken to the extreme level of verisimilitude. Their moderately angry, sincere, coffin-grim black metal comes straight from the ’90s, which is not surprising if you remember that the band has been active since 1998. With a deliberately simplified approach to writing music and a general tendency towards traditionally repetitive themes that build up the atmosphere, Old Forest catches you with memorable, sharp solos, rhythm changes, and even vocal melodies or the utterly vampiric harpsichord’s tunes.

Here’s the interview Kobold conducted with us soon after the Graveside release on Soulseller Records. Continue reading »

JESUS CHRIST WILL HE JUST GO AWAY? NEILL JAMESON’S 2024 LISTS PT I

 LISTMANIA 2024  No Responses »
Dec 182024
 


photo by Hillarie Jason

(One of the perennial highlights of our year-end LISTMANIA series are the articles Neill Jameson has contributed, and we’re very happy that he’s doing so again this year. This one is the first of three four installments we’ll be publishing. To be clear, Neill wrote the title of this feature himself.)

What a fucking ridiculous year. Between wars, threats of wars, the election, that fucking girl who’s famous for a joke about dick spittings and whatever new allegations your favorite band has against them it’s just been an exhausting twelve months. What better way to cap that off than by reading a bunch of assholes telling you what you should have listened to this year instead of whatever meandering bullshit you actually did. Unless it was Krieg’s split with Withdrawal, you obviously have exquisite taste. 

After all, it’s the most wonderful time of the year, right?

Last year I skipped the genre format for my lists and just threw everything together, with the obviously subjective “best” saved for last. I did this mostly out of laziness but I think we’ve built a new tradition, like picking out who not to send Christmas cards to this year because they did something to publicly shame the family, like supporting RFK. 

Sure the comments section will be measured and forgiving after that one.

So this’ll be a few parts, depending on how much I can write while tucked away in my office hiding from my employees. Here’s part one: Continue reading »

AN NCS INTERVIEW: OLD FOREST

 Interviews  1 Response »
Mar 272023
 

(Today we present Comrade Aleks‘ extensive interview with Kobold from the UK black metal band Old Forest, and under other guises a participant in Ewigkeit, Nattehimmel, Jaldaboath, and more.)

The first stage of Old Forest‘s career wasn’t robust: The band started in London, 1998, released the debut album Into the Old Forest in 1999, and was disbanded in 2001. It was re-formed in 2007 and the wheels turned faster this time. Despite the band’s mastermind Kobold’s occupation in a few more bands since then, Old Forest recorded six more full-length albums and some smaller releases.

Kobold played with the famous In the Woods…, did some “Monty Python” with Jaldaboath, and experimented in his solo project Ewigkeit, but he always had enough time to keep his black metal Old Forest alive, and this March the new album Sutwyke is to be released through Soulseller Records.

So here we are… ready to breathe deep the smell of rotting foliage and the raw soil, and feel the cold wind of ’90s black metal while reading the interview we did with Kobold.

(Thanks to Jan of Sure Shot Worx for organizing the interview.) Continue reading »

SHADES OF BLACK: OLD FOREST, AFSKY, UKĆ, LE PROCHAIN HIVER, MOTSTAND, HYRGAL

 Album Reviews, SHADES OF BLACK  2 Responses »
Mar 192023
 


Old Forest

I often rely on the recommendations of friends in deciding how to spend my listening time, and then deciding what to recommend to you. I like rooting around myself, like a truffle-sniffing pig, but after pouring a fair amount of time into yesterday’s big roundup I wasn’t left with a lot of sniffing and rooting time, and therefore took my lead from friends for much of what’s coming below. They didn’t let me down, and hopefully I won’t let you down with these choices either.

OLD FOREST (UK)

I had to start today’s collection with a new song by Old Forest because I found it so immediately captivating. I’m not steeped in the band’s extensive discography (seven albums and a bunch of shorter releases going back to 1998), but Neill Jameson is, and he introduced Decibel’s premiere of the song last week with a brief history.

The new track, “Master of Arachnids”, is from a forthcoming album named Sutwyke, which Neill lauded as “easily the band’s best full length since their phantasmagoric re-materialization” in 2008 following a long hiatus: “Taking elements from all eras of their discography (including the clean vocals, though somewhat more subdued) this is also their most jet-black record showing that there is still plenty of (un)life in these bones”.

Well, that was more than enough temptation to dive into “Master of Arachnids”. Continue reading »

BLACK METAL (PART 6): A COLLECTION CURATED BY NEILL JAMESON (KRIEG, POISON BLOOD)

 RANDOM FUCKING MUSIC  4 Responses »
Aug 072017
 

 

(Last year we were fortunate to present five installments in a series by Neill Jameson (Krieg, Poison Blood) recommending black metal releases from years past. Neill now brings us (and you) a further installment collecting music from six more bands. To get a look at previous editions of the series, click this link and scroll down. If we’re lucky, more will come our way in the future.)

For some reason people seem to like talking to me, especially the ones I don’t want to talk to. And inevitably in these conversations I get poked and prodded about current black metal because the vacant look in my eyes isn’t speaking loudly enough. And most of the time I try to shrug it off because I’m terrible in social situations and also I don’t have a lot to say about many modern bands. Like fresh out of the womb modern with a demo in one hand and a fistful of dreams in the other, not new projects with veteran members or anything like that. Jesus this got confusing.

What I’m trying to get at is (1) I’m old and boring, and (2) it’s incredibly difficult for me to constantly keep up with modern shit when there’s still so much to be mined from an earlier age. Which is why I like to dip back into the well that was supposed to be a three-part series that’s now on its sixth iteration with no real ending planned.

Dedicated for those of you who complain about people being stuck mining the past while spending an absurd amount of money to look like you were an extra in one of the original Mad Max films. Continue reading »