Mar 272023
 

(Today we present Comrade Aleks‘ extensive interview with Kobold from the UK black metal band Old Forest, and under other guises a participant in Ewigkeit, Nattehimmel, Jaldaboath, and more.)

The first stage of Old Forest‘s career wasn’t robust: The band started in London, 1998, released the debut album Into the Old Forest in 1999, and was disbanded in 2001. It was re-formed in 2007 and the wheels turned faster this time. Despite the band’s mastermind Kobold’s occupation in a few more bands since then, Old Forest recorded six more full-length albums and some smaller releases.

Kobold played with the famous In the Woods…, did some “Monty Python” with Jaldaboath, and experimented in his solo project Ewigkeit, but he always had enough time to keep his black metal Old Forest alive, and this March the new album Sutwyke is to be released through Soulseller Records.

So here we are… ready to breathe deep the smell of rotting foliage and the raw soil, and feel the cold wind of ’90s black metal while reading the interview we did with Kobold.

(Thanks to Jan of Sure Shot Worx for organizing the interview.) Continue reading »

Mar 192023
 


Old Forest

I often rely on the recommendations of friends in deciding how to spend my listening time, and then deciding what to recommend to you. I like rooting around myself, like a truffle-sniffing pig, but after pouring a fair amount of time into yesterday’s big roundup I wasn’t left with a lot of sniffing and rooting time, and therefore took my lead from friends for much of what’s coming below. They didn’t let me down, and hopefully I won’t let you down with these choices either.

OLD FOREST (UK)

I had to start today’s collection with a new song by Old Forest because I found it so immediately captivating. I’m not steeped in the band’s extensive discography (seven albums and a bunch of shorter releases going back to 1998), but Neill Jameson is, and he introduced Decibel’s premiere of the song last week with a brief history.

The new track, “Master of Arachnids”, is from a forthcoming album named Sutwyke, which Neill lauded as “easily the band’s best full length since their phantasmagoric re-materialization” in 2008 following a long hiatus: “Taking elements from all eras of their discography (including the clean vocals, though somewhat more subdued) this is also their most jet-black record showing that there is still plenty of (un)life in these bones”.

Well, that was more than enough temptation to dive into “Master of Arachnids”. Continue reading »

Aug 072017
 

 

(Last year we were fortunate to present five installments in a series by Neill Jameson (Krieg, Poison Blood) recommending black metal releases from years past. Neill now brings us (and you) a further installment collecting music from six more bands. To get a look at previous editions of the series, click this link and scroll down. If we’re lucky, more will come our way in the future.)

For some reason people seem to like talking to me, especially the ones I don’t want to talk to. And inevitably in these conversations I get poked and prodded about current black metal because the vacant look in my eyes isn’t speaking loudly enough. And most of the time I try to shrug it off because I’m terrible in social situations and also I don’t have a lot to say about many modern bands. Like fresh out of the womb modern with a demo in one hand and a fistful of dreams in the other, not new projects with veteran members or anything like that. Jesus this got confusing.

What I’m trying to get at is (1) I’m old and boring, and (2) it’s incredibly difficult for me to constantly keep up with modern shit when there’s still so much to be mined from an earlier age. Which is why I like to dip back into the well that was supposed to be a three-part series that’s now on its sixth iteration with no real ending planned.

Dedicated for those of you who complain about people being stuck mining the past while spending an absurd amount of money to look like you were an extra in one of the original Mad Max films. Continue reading »